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pro vyhledávání: '"John Fagg"'
Autor:
John Fagg
Often seen as backward-looking and convention-bound, genre painting representing scenes of everyday life was central to the work of twentieth-century artists such as John Sloan, Norman Rockwell, Jacob Lawrence, and others, who adapted such subjects t
Autor:
Lisa Saltzman, Ross Barrett, Emily C. Burns, Kristina Wilson, David M. Lubin, David J. Getsy, John Fagg, Alexander Nemerov, Alexis L. Boylan, Mary K. Coffey, Anne Collins Goodyear
Publikováno v:
Archives of American Art Journal. 57:62-77
In our fall 2017 issue, art historian Alexander Nemerov explored a question of vital interest to this journal and its readers: How might we describe the relationship between artworks and archives? ...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2122fa4084161439ea1bca6fb4c6ac8e
https://doi.org/10.1086/701178
https://doi.org/10.1086/701178
Autor:
John Fagg
Publikováno v:
Cultural History. 5:94-97
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8b06f1621ed8b35ee9262ed975947ab7
https://doi.org/10.3366/cult.2016.0112
https://doi.org/10.3366/cult.2016.0112
Autor:
John Fagg
Publikováno v:
Modernist Cultures. 11:86-117
This article considers drawings and paintings made by the American artists Edmund Tarbell and John Sloan in relation to the art of the seventeenth-century Dutch Republic. Claims about, interpretations of, and enthusiasm for ‘Dutch Pictures’ were
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::050996c86dee0fef621943e2a13acd99
https://doi.org/10.3366/mod.2016.0127
https://doi.org/10.3366/mod.2016.0127
Autor:
John Fagg
Publikováno v:
American Art. 29:28-57
In the New York City Life etchings of 1905–06 and in the satirical and occasionally scatological “distortions” of mass-market magazine covers and advertisements he began to make around the same time, John Sloan created an art invested in the ma
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::849738ffba0945ac2aa992984778dab0
https://doi.org/10.1086/684919
https://doi.org/10.1086/684919
Autor:
John Fagg
Publikováno v:
American Art. 27:68-93
This article takes as its starting point an illustration of an angry, bearded, rustic old man made by Robert Robinson for the cover of the November 26, 1910, issue of the Saturday Evening Post. It locates this image within the idiom of comic-narrativ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5739917a17b385d557ff94ec873a8add
https://doi.org/10.1086/673110
https://doi.org/10.1086/673110
Publikováno v:
American Periodicals: A Journal of History, Criticism, and Bibliography. 23:93-104
Discussing the ongoing shift from print to Web and its "reorganization of one- to-many and many-to-one communications under a new hegemony of many- to-many collaboration" in a recent issue of New Literary History, Alan Liu asks: Can we be friends wit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2caa775871153a8e3cf8d3a0d110ca11
https://doi.org/10.1353/amp.2013.0013
https://doi.org/10.1353/amp.2013.0013
Autor:
Foster, John Fagg
Publikováno v:
Journal of Economic Issues (Association for Evolutionary Economics). Dec81, Vol. 15 Issue 4, p1009. 4p.