Zobrazeno 1 - 10
of 20
pro vyhledávání: '"John D. Swain"'
Autor:
John D. Swain
Publikováno v:
Asian Theatre Journal. 36:517-520
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::263351b3c924514076a8c77e454a218d
https://doi.org/10.1353/atj.2019.0045
https://doi.org/10.1353/atj.2019.0045
Autor:
John D. Swain
John D. Swain (1870-1952) was a prolific pulp author, playwright, novelist, poet, essayist, and movie script writer. He won the O. Henry Memorial Award in 1931. His story “The Man Who Knew Too Much” is a fantastic tale originally published in Bla
Autor:
John D. Swain
Kawakami Otojirō was an actor, comedian, and impresario during Japan’s early modern period and was the first to take Japanese performances on tour, albeit in a rather unconventional exoticized form, to the West in 1899–1901 and again from 1901
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cc0b2ddc62a96d6dcc2d4c53197f1832
https://doi.org/10.4324/9781135000356-rem282-1
https://doi.org/10.4324/9781135000356-rem282-1
Autor:
John D. Swain
Jiyū-gekijō [Free Theater], founded in 1909 by the director Osanai Kaoru (1881–1928) and kabuki actor Ichikawa Sadanji II (1880–1940), was established to produce contemporary realist plays using kabuki actors. The company aimed to produce works
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4c85958626bb29965ad3e969c4ac782f
https://doi.org/10.4324/9781135000356-rem268-1
https://doi.org/10.4324/9781135000356-rem268-1
Autor:
John D. Swain
Angura has been called the most effective fusion of art and politics from Japan’s turbulent years of social protest in the 1960s and 1970s. Angura is the Japanese contraction for the term ‘andaaguraundo engeki,’ or ‘underground theatre.’ Al
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::17427c2006e208f2e6330fe78c2b7837
https://doi.org/10.4324/9781135000356-rem1056-1
https://doi.org/10.4324/9781135000356-rem1056-1
Autor:
John D. Swain
Kubo Sakae was a leading shingeki playwright prior to World War II, and a shingeki socialist hero afterward. His greatest dramatic work is the epic Kazanbai-chi [Land of Volcanic Ash] (1937–1938) about the exploitation of peasant labor on farms in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5f4f4c109f9ed23858b3641a6eb672f7
https://doi.org/10.4324/9781135000356-rem286-1
https://doi.org/10.4324/9781135000356-rem286-1
Autor:
John D. Swain
The first iteration of the Geijutsu-za (Art Theater) was founded in 1913 by the actors Shimamura Hōgetsu (1871–1918) and Matsui Sumako (1886–1919) after they were expelled from Tsubouchi Shōyo’s (1859–1935) Bungei Kyōkai for fraternization
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e08c45c93d471e2a974fbfb71b640180
https://doi.org/10.4324/9781135000356-rem262-1
https://doi.org/10.4324/9781135000356-rem262-1
Autor:
John D. Swain
Shingeki (literally "new theater") is a word coined in late Meiji period Japan (1868–1912) referring to dramatic works and theater performance styles imported and adapted from late 19th- and early 20th-century Europe. Almost every Japanese theatre
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7d3a011ca927b2a5dd6c972a45a6efa2
https://doi.org/10.4324/9781135000356-rem290-1
https://doi.org/10.4324/9781135000356-rem290-1
Autor:
John D. Swain
The Takarazuka Revue (Takarazuka kagekidan) is an all-female troupe founded by Kobayashi Ichizō (1873–1957) in 1913 as a device to generate business on the railway and hot springs resort owned and operated by himself and the Hankyū Railway. The t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ef5f005a0252000e2fd6a9405c19dab
https://doi.org/10.4324/9781135000356-rem1370-1
https://doi.org/10.4324/9781135000356-rem1370-1
Autor:
John D. Swain
Itō Michio’s creative endeavors spanned dance, theatre, and film, just as his career spanned the Pacific and the Atlantic Oceans, however, his life as a creative artist was one of World War II’s international cultural casualties. After decades o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b1ce2f96d8636cadd086aac5d67c4a37
https://doi.org/10.4324/9781135000356-rem276-1
https://doi.org/10.4324/9781135000356-rem276-1