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pro vyhledávání: '"John Bischoff"'
How to catch a black swan: Measuring the benefits of the premortem technique for risk identification
Publikováno v:
Journal of Enterprise Transformation. 6:87-106
Projects face the challenge of increasing complexity and uncertainty leading to more black swans (hard-to-predict, potentially catastrophic risks) in our future. Within the two schools of risk (obj...
Publikováno v:
American Journal of Health Sciences (AJHS). 5:129-144
Many have studied the process of acceptance and adoption of new ideas and technologies as they are introduced into society. While several models have been used to assess various influencing factors, the Technology Acceptance Model (TAM) is one that i
Autor:
Robert John Bischoff
Publikováno v:
Computers in Human Services. 8:143-151
Summary This paper discusses the use of Knowledge Base 2.1, a computer program that administers a response dependent, structured interview to evaluate the presence of psychiatric disorders within the chemical dependency treatment setting. The writer
Publikováno v:
Waterpower '99.
Because it is difficult to mitigate the risks associated with fault displacements in a dam foundation, it is widely preferred in engineering practice to avoid siting dams over active surface faults. Occasionally this cannot be avoided and a number of
Autor:
Franz Schmidlin, John C. Hulbert, Nathan E. Hoffmann, Paul Iazzio, John Bischoff, Chris Rupp, David J. Swanlund
Publikováno v:
European Urology Supplements. 1:30
Autor:
John Bischoff
Publikováno v:
Leonardo Music Journal. 9:122-122
Publikováno v:
Computer Music Journal. 20:128
Publikováno v:
Computer Music Journal. 20:28
in which it exists, and call into question our very ideas about musical progress. Is the state of the art to be judged aesthetically on the music that identifies with it, or materially on the technology it has delivered to the musical world? I think
Autor:
John Bischoff, Erling Wold
Publikováno v:
Computer Music Journal. 15:99
Autor:
John Bischoff
Publikováno v:
Leonardo Music Journal. 1:37
The author discusses two electronic music compositions that typify his approach to composing with small computer-music systems. The author’s compositional technique is characterized by bottom-up software design and close attention to emerging detai