Zobrazeno 1 - 10
of 76
pro vyhledávání: '"John Belton"'
Publikováno v:
NFS Journal, Vol 16, Iss , Pp 1-8 (2019)
There is an increasing demand for environmentally sustainable sourcing of ingredients for the food, pharmaceutical and supplements industries. In the case of calcium carbonate (E170) as by-products from the egg and shellfish processing industries the
Externí odkaz:
https://doaj.org/article/5d1a96fbd5f740c6a21502560520258f
Autor:
John Belton
Publikováno v:
Special Effects on the Screen ISBN: 9789048530205
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ebf51166372f9dbc6f95cea74e2c6bf1
https://doi.org/10.1515/9789048530205-003
https://doi.org/10.1515/9789048530205-003
Autor:
Martin Lefebvre, Marc Furstenau, John Belton, François Jost, Frank Kessler, Sabine Lenk, François Albera, Donald Crafton, Benoît Turquety, Katharina Loew, Roger Odin, Philippe Marion, Janet Bergstrom, Suzanne Liandrat-Guigues, Kristen Whissel, Sean Cubitt, Dudley Andrew
Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a94033e847b56f370823437a46039015
https://doi.org/10.5117/9789462980730
https://doi.org/10.5117/9789462980730
Autor:
John Belton
Publikováno v:
The Colour Fantastic. :97-108
Autor:
John Belton
American Cinema/American Culture introduces the reader to basic issues related to the phenomenon of American cinema. It looks at American film history from the 1890s through today, but it does not always explore this history in a purely chronological
Autor:
John Belton
Publikováno v:
New Review of Film and Television Studies. 15:400-404
In Death 24x a Second: Stillness and the Moving Image, Laura Mulvey explores the temporality of motion imaging in terms of notions of the uncanny, as set forth by Wilhelm Jentsch and Sigmund Freud....
Autor:
John Belton
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 30:1-25
This essay looks at the relationship between the two narrative registers of Max Ophüls's Lola Montès (France, 1955)—the staging of circus attractions in the present and the repeated flashbacks to the past—in terms of the way in which the circus
Autor:
Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakci, Sarah Street, Joshua Yumibe, John Belton, Peter Delpeut, Hilde D'haeyere, Barbara Flueckiger, Elena Gipponi, Frank Gray, Claudy Kamp, Jennifer Peterson, David Pfluger, Federico Pierotti, Natalie Snoyman, Kirsten Moana Thompson, Benoît Turquety, Liz Watkins
Publikováno v:
Fossati, G, Jackson, V, Lameris, B G, Rongen-Kaynakci, E, Street, S & Yumibe, J (eds) 2018, The Colour Fantastic : Chromatic Worlds of Silent Cinema . Amsterdam University Press, Amsterdam . https://doi.org/10.5117/9789462983014
Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in colour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0d92d92fd77b64b6fd80074613eba75d
https://hdl.handle.net/11245/1.500358
https://hdl.handle.net/11245/1.500358
Autor:
John Belton
Publikováno v:
SMPTE Motion Imaging Journal. 128:12-13
The internet was not designed for the transportation of video content. However, over the past ten years, video traffic on the internet has increased dramatically, rising from one-third of all traffic in 2008 to roughly 82% in 2020. i This growth, in