Zobrazeno 1 - 10
of 191
pro vyhledávání: '"Johanna Hecht"'
Autor:
Marie Timberlake
Publikováno v:
caa.reviews.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9d98c6f65a5d6110788ab092c0cf18c4
https://doi.org/10.3202/caa.reviews.2007.2
https://doi.org/10.3202/caa.reviews.2007.2
Autor:
Patrick Garidel, Andrea Hawe, Marina Gühlke, Armin Böhrer, Tim Menzen, Felix Nikels, Johanna Hecht
Publikováno v:
Journal of Pharmaceutical Sciences. 109:505-514
Subvisible particles are a critical quality attribute of pharmaceutical products. The reliability of particle quantitation increases with the number of particles in the analyzed sample volume. However, for analyses of low-volume drug products, such a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c975ed8dc32199df9d84fb69ee884059
https://doi.org/10.1016/j.xphs.2019.10.061
https://doi.org/10.1016/j.xphs.2019.10.061
Autor:
Johanna Hecht
Publikováno v:
Metropolitan Museum Journal. 37:229-238
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b82ce5c9d41da63b12566672690468a3
https://doi.org/10.2307/1513087
https://doi.org/10.2307/1513087
Autor:
Johanna Hecht
Publikováno v:
Metropolitan Museum Journal. 29:77-88
N 1932 AND 1933 The Metropolitan Museum of Art acquired three pieces of liturgical silver mistakenly thought to have been made in Spain. One of them, a gilded seventeenth-century silver monstrance (see Figure 11), bequeathed to the Museum by Michael
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6b3821a22636ec12891d2a46eadf4f45
https://doi.org/10.2307/1512961
https://doi.org/10.2307/1512961
Publikováno v:
Baker & Taylor Author Biographies - Select; 2000, p1, 0p
Autor:
Katharine Baetjer, Wolfram Koeppe, Johanna Hecht, Jeffrey H. Munger, James David Draper, Gary Tinterow, Colta Ives, Herbert Heyde, Malcolm Daniel, Susan Alyson Stein
Publikováno v:
The Metropolitan Museum of Art Bulletin. 60:23
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::84b14e7d82fd6bd1dfdf61433212106d
https://doi.org/10.2307/3263907
https://doi.org/10.2307/3263907
Autor:
Perrin Stein, Johanna Hecht, Wolfram Koeppe, Stuart W. Pyhrr, Laurence Libin, Clare Le Corbeiller, Jessie McNab, Jennifer A. Loveman, James David Draper, Marina Nudel, Gary Tinterow, Malcolm Daniel, Maria Morris Hambourg, Colta Ives, Susan Alyson Stein
Publikováno v:
The Metropolitan Museum of Art Bulletin. 56:31
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ed8630e2956569df405d94d48a75efae
https://doi.org/10.2307/3269044
https://doi.org/10.2307/3269044
Autor:
Marina Nudel, Maria Morris Hambourg, Wolfram Koeppe, Malcolm R. Daniel, Jennifer A. Loveman, Susan Alyson Stein, Stuart W. Pyhrr, James David Draper, Johanna Hecht, Clare Le Corbeiller, Jessie McNab, Colta Feller Ives, Gary Tinterow, Laurence Libin, Perrin Stein
Publikováno v:
The Metropolitan Museum of Art Bulletin. 52:36
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4c8ab5fdafe0ec2bf6dee87f6ed53e09
https://doi.org/10.2307/3258873
https://doi.org/10.2307/3258873
Autor:
Johanna Hecht
Publikováno v:
Metropolitan Museum Journal. 22:179-188
ness of German relief artists vis-a-vis their graphic sources, Erika Tietze-Conrat revealed how these artists still remained dependent upon two-dimensional compositions.' My purpose in this note is to suggest some heretofore unremarked ways in which
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4ce82be181d8cc4bf1ff391c6d912962
https://doi.org/10.2307/1512843
https://doi.org/10.2307/1512843