Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Jocelyn Szczepaniak-Gillece"'
Autor:
Jocelyn Szczepaniak-Gillece
Publikováno v:
JCMS: Journal of Cinema and Media Studies. 59:209-213
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0a7d6a36bb2a049805499b6449c6bb88
https://doi.org/10.1353/cj.2020.0053
https://doi.org/10.1353/cj.2020.0053
Autor:
Jocelyn Szczepaniak-Gillece
A cultural history of the enduring relationship between film spectatorship and intoxicating substances Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970
Autor:
Jocelyn Szczepaniak-Gillece
Publikováno v:
The Oxford Handbook of Cinematic Listening ISBN: 0190853611
Many moments in the history of American exhibition illuminate the entanglement of hearing and discipline. But few point as clearly at the intertwining of listening, class, architecture, language, taste, and technology—all of which culminate in a pa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e0bdb3e8947636351bba6d6d8a075907
https://doi.org/10.1093/oxfordhb/9780190853617.013.9
https://doi.org/10.1093/oxfordhb/9780190853617.013.9
Publikováno v:
Ends of Cinema
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e9b166eeae603650ade9694e72afe5a0
https://doi.org/10.5749/j.ctv1c9hqbh.14
https://doi.org/10.5749/j.ctv1c9hqbh.14
Autor:
Jocelyn Szczepaniak-Gillece
Publikováno v:
Technology and Culture. 62:646-647
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0d337bfab381786c193f4be6f4056f86
https://doi.org/10.1353/tech.2021.0094
https://doi.org/10.1353/tech.2021.0094
At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture.
Autor:
Jocelyn Szczepaniak-Gillece
Publikováno v:
Screen. 57:253-276
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b7711f7747f1a50dabe22c3ad9649947
https://doi.org/10.1093/screen/hjw030
https://doi.org/10.1093/screen/hjw030
Autor:
Jocelyn Szczepaniak-Gillece
This introduction lays out the direction of the book on the whole by discussing the movie palace, Ben Schlanger, modernism, and new cinema histories. Schlanger’s life and career are briefly introduced, and the importance of using archival materials
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b2d5e0e5abd74c00fe61b8d6035880a4
https://doi.org/10.1093/oso/9780190689353.003.0001
https://doi.org/10.1093/oso/9780190689353.003.0001
Autor:
Jocelyn Szczepaniak-Gillece
Publikováno v:
Oxford Scholarship
Chapter 4 considers the second wave of cinephilia and the art house theater boom particularly in New York City alongside the emergence of underground cinemas intended for the cultural elite (1960–1970). The art house is discussed alongside Robert M
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e515cf10b22827a3382e90a7f4a62a1b
https://doi.org/10.1093/oso/9780190689353.003.0005
https://doi.org/10.1093/oso/9780190689353.003.0005