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pro vyhledávání: '"Joan Lord Hall"'
Autor:
Joan Lord Hall
Analyses how far Shakespeare succeeds in reconciling two polarised areas in the early modern period: sexual desire, or will, and idealised approaches to romantic love.
Autor:
Joan Lord Hall
The Introduction discusses semantic distinctions that may be missed by twenty-first century readers. In particular, it stresses how frequently ‘will’ denotes sexual desire in early modern usage, as do the signifiers ‘affection’ and ‘blood
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::30321763ae86841eb883b35611aa63bb
https://doi.org/10.3366/edinburgh/9781474488563.003.0001
https://doi.org/10.3366/edinburgh/9781474488563.003.0001
Autor:
Joan Lord Hall
Chapter 2 further discusses how Shakespeare explores the destructiveness of ‘will’ when it becomes ‘lust in action’ (the theme of Sonnet 129). In ‘The Rape of Lucrece’ Tarquin’s assault on Lucrece combines urgent sexual desire with a mi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::36dee36853916aa07c73fb341fa27a0a
https://doi.org/10.3366/edinburgh/9781474488563.003.0003
https://doi.org/10.3366/edinburgh/9781474488563.003.0003
Autor:
Joan Lord Hall
Chapter 3 examines how far Shakespeare’s plays incorporate or challenge polarized stereotypes of women as pure madonnas or promiscuous whores. Through his chaste but desiring heroines, such as Juliet, Desdemona, and Rosalind, the playwright offers
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::308e74835898f931bbe9eef7f8849fda
https://doi.org/10.3366/edinburgh/9781474488563.003.0004
https://doi.org/10.3366/edinburgh/9781474488563.003.0004
Autor:
Joan Lord Hall
This chapter argues that in Shakespeare’s dark comedies, Troilus and Cressida, All’s Well that Ends Well, and Measure for Measure, the signifier “will’ (denoting sexual desire) is key in underscoring the dark side of male desire. In Troilus a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e6e7f45a29cd9b371acb5eb2fb5dc95c
https://doi.org/10.3366/edinburgh/9781474488563.003.0002
https://doi.org/10.3366/edinburgh/9781474488563.003.0002
Autor:
Joan Lord Hall
Chapter 6 discusses how far Shakespeare’s plays reflect the views of his age—that marriage is less a romantic and sexual bond than a partnership based on “friendship or ‘amity’. This Protestant paradigm of ‘companionate’ marriage remain
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::523eac51e65ffb3d4004437c9bbc5bfa
https://doi.org/10.3366/edinburgh/9781474488563.003.0007
https://doi.org/10.3366/edinburgh/9781474488563.003.0007
Autor:
Joan Lord Hall
Chapter 5 analyses how Shakespeare’s plays, as in Sonnet 130 (‘My Mistress’ Eyes Are Nothing like the Sun’) challenge and often deflate the Petrarchan convention—the lover’s elaborate language and melodramatic posturing as he pays homage
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d35c4908f638fa43e0a9df736fd47e4d
https://doi.org/10.3366/edinburgh/9781474488563.003.0006
https://doi.org/10.3366/edinburgh/9781474488563.003.0006
Autor:
Joan Lord Hall
This book, which refers to every play in the canon as well as to Shakespeare’s narrative poems and several sonnets, begins by exploring how the signifier ‘will’ denotes sexual desire within Shakespearean contexts. Unlike earlier treatments of s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::790a60db7e6ff0998714a27e1bf0a2b8
https://doi.org/10.3366/edinburgh/9781474488563.001.0001
https://doi.org/10.3366/edinburgh/9781474488563.001.0001
Autor:
Joan Lord Hall
Chapter 4 analyses how in Shakespeare’s comedies ‘fancy’, or fickle infatuation, is based on visual attraction. The eyes advance erotic desire (‘will’) while ‘love’s mind’ also reflects irrational desire. In A Midsummer Night’s Drea
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1e9389e723d13204dd7d96f0705d259e
https://doi.org/10.3366/edinburgh/9781474488563.003.0005
https://doi.org/10.3366/edinburgh/9781474488563.003.0005
Autor:
Joan Lord Hall
Chapter 7 discusses how far homoerotic same-sex relationships and close friendships (male and female) challenge heterosexual norms of romance. Shakespeare’s Sonnets, which explore bisexual passion, privilege love for the ‘fair youth’ above lust
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5fa5137fe1726c0793870aaec5e4d467
https://doi.org/10.3366/edinburgh/9781474488563.003.0008
https://doi.org/10.3366/edinburgh/9781474488563.003.0008