Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Jing Jamie Zhao"'
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys'Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an id
Autor:
Jing (Jamie) Zhao
Publikováno v:
Transformative Works and Cultures, Vol 24 (2017)
A globally formatted, Idol-style, reality singing contest produced by a Chinese provincial TV station, Super Girl (SG; Hunan Satellite TV, 2004–2006) received staggeringly huge commercial success nationwide. It only allowed female participants and
Externí odkaz:
https://doaj.org/article/0b8b754f61734f379aec5f767e8849ec
Autor:
Jing Jamie Zhao
Publikováno v:
Feminist Media Studies. 17:42-58
Online gossip is an important site of negotiation and contestation for today’s global popular culture in the post-audience age. This article presents a discourse analysis of Chinese fans’ queer gossip about the Danish female model, Freja Beha Eri
Autor:
Jing Jamie Zhao
Publikováno v:
Feminist Reception Studies in a Post-Audience Age ISBN: 9781351270304
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6408b13f60e5b44b795f21a151a67025
https://doi.org/10.4324/9781351270304-4
https://doi.org/10.4324/9781351270304-4
Autor:
Jing Jamie Zhao
Publikováno v:
East Asian Journal of Popular Culture. 2:147-157
Autor:
Jing Jamie Zhao
Publikováno v:
Hong Kong University Press
This chapter presents a critical analysis of Chinese fans’ queer gossip discourse surrounding the American actress Katherine Moennig, most famous still for her breakthrough role as a butch lesbian character in the television series The L Word (Show
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::375c6799f90131a8bdf17cd0a5dc805f
https://doi.org/10.5790/hongkong/9789888390809.003.0005
https://doi.org/10.5790/hongkong/9789888390809.003.0005
Autor:
Jing Jamie Zhao
Publikováno v:
Feminist Media Studies. 16:164-168
China’s post-socialist reforms have led its TV industry into a new age featuring self-innovation, ideological hybridization, generative censorship systems, and competitions between central and prov...