Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Jiří Zahrádka"'
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 59, Iss 1 (2024)
Externí odkaz:
https://doaj.org/article/940abceb69aa46329dea6f033460117f
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 54, Iss 1 (2019)
Professor John Tyrrell is one of the leading musicologists specializing in Czech music and most importantly in the composer Leoš Janáček. Tyrrell died on 4 October 2018. His interest in Janáček finds expression in several scholarly spheres. The
Externí odkaz:
https://doaj.org/article/a96c77b5a778443cb43817dc206dca2f
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 53, Iss 1 (2018)
Right after the declaration of independent Czechoslovakia Janáček got busy carrying out his long-standing dream of founding a conservatoire in Brno. As a representative of the Brno Organ School he started negotiations with the music school of the P
Externí odkaz:
https://doaj.org/article/e8baf79e62904a2ea38973bc263bfe42
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 52, Iss 2 (2017)
The "Slavonic rhapsody" Taras Bulba is an example of Janáček's lifelong Russophilia. The composer adhered to the Russian culture through the declared Slavic patriotism in his early youth, all this being closely connected with the feelings of libera
Externí odkaz:
https://doaj.org/article/0ea8a5cfdbd0492989a59662c52e142a
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 51, Iss 2 (2016)
In 1937, in Pazdírek's Music Dictionary's entry dedicated to Leoš Janáček, the lost piano cycle Spring Song (1912) is mentioned for the first time. The author of the article was Vladimír Helfert. From this moment on, this composition became part
Externí odkaz:
https://doaj.org/article/ffffc232d4514547b619ff80eaf05938
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 48, Iss 2 (2014)
During his summer stay in the Luhačovice spa Leoš Janáček met charming Kamila Urválková who on numerous meetings told him her youth love story which attracted his attention. As a young girl she fell in love with Ludvík Vítězslav Čelanský,
Externí odkaz:
https://doaj.org/article/38b3ec4ffe8746328e3c7b00db840147
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 48, Iss 1 (2013)
Leoš Janáček has joint the Družstvo committee of the Czech National Theater in Brno altogether three times. For the first time, not long after the Czech National Theater in Brno was opened, he was elected an alternate member of the curie of activ
Externí odkaz:
https://doaj.org/article/a012416e6d5b4cf4880225a6d48a6569
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 47, Iss 2 (2012)
Although Leoš Janáček managed to complete the second string quartet Listy důvěrné, there still remain several ambiguities concerning the origin of the quartet. The composer wrote the quartet as an autograph, had it be copied and attended rehear
Externí odkaz:
https://doaj.org/article/f7bd4ca6fe24449ea6beb5f64effe7f0
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 46, Iss 1 (2011)
Janáček's interest in the operatic genre became evident only in the first half of the 1880s. Evidence of Janáček's childhood and youth contacts with opera is very rare. In fact the only source is Janáček's 1924 recollection – as a choral scho
Externí odkaz:
https://doaj.org/article/7f489921a8bd4ab58ef5932f51426fbb
Autor:
Jiří Zahrádka
Publikováno v:
Musicologica Brunensia, Vol 45, Iss 1 (2010)
Janáček started to work on the Glagolitic Mass at the end of 1920, after his meeting ThDr. Leopold Prečan, at that time the vicar general of Olomouc Archdiocese. During their discussion on the decline of church music, Prečan suggested that Janá
Externí odkaz:
https://doaj.org/article/a5fedec16d264de79ece3455f4e4f5a4