Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Jesús Rivas Carmona"'
Autor:
Jesús Rivas Carmona
Publikováno v:
Imafronte, Iss 19-20 (2008)
Las iglesias barrocas de la ciudad de Murcia representan un capítulo fundamental de su legado histórico. Son muy numerosas y características. Por lo común, ofrecen un mismo tipo, fundamentalmente el plan de cruz latina con capillas laterales, un
Externí odkaz:
https://doaj.org/article/9c36c8c201bf45179607ed2c936d753b
Autor:
Jesús Rivas Carmona
Publikováno v:
Imafronte, Iss 15 (2001)
El presente trabajo tiene por objeto resaltar la significación de los tesoros catedralicios y dentro de ellos la muy importante obra de plateria. Ciertamente, las catedrales españolas poseen las principales colecciones de plateria religiosa del pai
Externí odkaz:
https://doaj.org/article/0818c3876dd94dce8225e5dbf0803a22
Autor:
Jesús Rivas Carmona
Publikováno v:
Imafronte, Iss 14 (1999)
The well-known circulation of the products of Cordoba's silversmiths in other regions of Spain also reached Murcia. From the middle of the 18th century until its conclusion, coinciding with the height of the Cordoban school, Murcia is subject to a ge
Externí odkaz:
https://doaj.org/article/d9f0295e622e4405b2a6f922dcc4666b
Autor:
Jesús Rivas Carmona
Publikováno v:
Imafronte, Iss 12-13 (1997)
Within the rich repertoy of processionol monstronces of Spain in the 16th century and in particirlar within the nutrid series that were created in Andalucia the monstronce of Puente Genil, in the province of Cordoba. must be included althougt was an
Externí odkaz:
https://doaj.org/article/21b612a4fac149ca8ef1e13b1bac0741
Publikováno v:
Imafronte, Iss 8-9 (1993)
Beside certain pure and peculiar characteristics, the urge for decoration amot~g them, the Andalusian Baroque shows other cosmopolitan features linking it to the international Baroque. It is to consider its relationships with Italian formulae. There
Externí odkaz:
https://doaj.org/article/1a35e7a44d0a41ab97518463ebd84b7b
Publikováno v:
Imafronte, Iss 6-7 (1991)
During the 17th and 18th centuries, several constructions of polychromatic marbles were erected in the region of Murcia. Once again, they come to confirm the importance of these kind of works during the Hispanic Baroque. The influence of neighbouring
Externí odkaz:
https://doaj.org/article/7df1f8f04fee4ecd98ad2363b4c46b8a
Autor:
Jesús Rivas Carmona
Publikováno v:
Imafronte, Iss 2 (1986)
During the second half of the XVIIIth century, Cordova and its province, as well as the rest of Spain, have known the existence r, side by side, of two quite different artistic tendencies on the one hand. the baroque style continued flourishing, alth
Externí odkaz:
https://doaj.org/article/a6eceeb8e46442bb8238afab1e15af9e
Autor:
Jesús Rivas Carmona
Publikováno v:
Imafronte, Iss 1 (1985)
In the second half of the XVlll century the barroque style of architecture was still firmly established in the old kingdom of Córdoba, especially in folk circles, whereas in the capital city of Córdoba itself and in some of the small villages that
Externí odkaz:
https://doaj.org/article/1a845cb9f5c344628c9d02229e44c706
Autor:
Jesús Rivas Carmona
Publikováno v:
Imafronte, Iss 3-5 (1989)
One of the most interesring chapters in the baroque retable-making activity in Andalusia is presetired by the rich series of isolated tabernacles or templetes [litle temples]. They stand out both because of the privileged location on the heads of cat
Externí odkaz:
https://doaj.org/article/a4b89e4abcb5447f847ae7b57141b706
Autor:
Jesús Rivas Carmona
Esta publicacion pertenece a la serie coordinada por Jesus Rivas e Ignacio Jose Garcia Zapata, del Departamento de Historia del Arte de la Universidad de Murcia, nacida en 2001 y que publica anualmente, coincidiendo con la fiesta de San Eloy, patron
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2a9f6f4ba40d428e99d985a666678c73
https://doi.org/10.6018/editum.2410
https://doi.org/10.6018/editum.2410
