Zobrazeno 1 - 10
of 32
pro vyhledávání: '"Jerome Kohl"'
Autor:
Jerome Kohl
Publikováno v:
Karlheinz Stockhausen: Zeitma� ISBN: 9781003417286
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::396f8f83bd0775a502918401c8f4cfcb
https://doi.org/10.4324/9781003417286-4
https://doi.org/10.4324/9781003417286-4
Autor:
Jerome Kohl
Publikováno v:
Karlheinz Stockhausen: Zeitma� ISBN: 9781003417286
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6626992ae2aa3c52a3c1cec8be1ba324
https://doi.org/10.4324/9781003417286-5
https://doi.org/10.4324/9781003417286-5
Autor:
Jerome Kohl
Publikováno v:
Karlheinz Stockhausen: Zeitma� ISBN: 9781003417286
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::36e8bda223b3d84b1a20cf162e1efdda
https://doi.org/10.4324/9781003417286-2
https://doi.org/10.4324/9781003417286-2
Autor:
Jerome Kohl
Publikováno v:
Karlheinz Stockhausen: Zeitma� ISBN: 9781003417286
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7d863a9a9517da2e85e1a364e5e33700
https://doi.org/10.4324/9781003417286-3
https://doi.org/10.4324/9781003417286-3
Autor:
Jerome Kohl
Zeitmaße is one of a group of four acknowledged masterpieces composed between 1955 and 1957 that together established Karlheinz Stockhausen as the leading figure in the European avant-garde. Of the four works, it is the only one that has not been th
Autor:
Jerome Kohl
Publikováno v:
Perspectives of New Music. 50:306-312
Autor:
Jerome Kohl
Publikováno v:
Perspectives of New Music. 50:476-523
Autor:
Jerome Kohl
Publikováno v:
Contemporary Music Review. 7:203-219
From his earliest pieces of the 1950s Karlheinz Stockhausen's music has been notable for innovative treatment of musical time. His current project, the seven-opera cycle Light, is not only of such audacious length as to call attention to its temporal
Autor:
Ivanka Stoianova, Jerome Kohl
Publikováno v:
Perspectives of New Music. 37:179
N THE WELL-KNOWN TEXT published on the occasion of his sixtieth birthday, "Fiinf Revolutionen seit 1950," the composer asserted: "Since the beginning of 1986 I have felt very much as I did in 1952 in the Studio for Musique Concrete of the ORTF in Par