Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Jennifer Cazenave"'
Autor:
Jennifer Cazenave
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 26, Pp 74-89 (2024)
As a teenager in the eighties, French filmmaker Sébastien Lifshitz scoured flea markets for amateur photographs. In 2013, he assembled a book titled The Invisibles comprised of snapshots depicting queer lives. He included a pair of Kodachrome images
Externí odkaz:
https://doaj.org/article/260e263275d4495c8b4abd3380c2afef
Autor:
Jennifer Cazenave
Publikováno v:
Cahiers de Narratologie, Vol 20 (2011)
Une étude comparée du grand film moderne d’Alain Resnais, Hiroshima mon amour (1959), et du dyptique de Marguerite Duras, Aurélia Steiner (1979), laisse entrevoir une filiation entre deux films que vingt ans séparent et où s’entrecroisent un
Externí odkaz:
https://doaj.org/article/5a51b0cc2344491abba50239757e3155
Autor:
Jennifer Cazenave
Honorable Mention, 2020 Best First Book Award presented by the Society for Cinema and Media StudiesClaude Lanzmann's 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust—and in film history. Over the course of twelve years, Lanzmann
Autor:
Jennifer Cazenave
Publikováno v:
IdeAs, Vol 7
This article retraces two parallel trajectories of the diary film through an analysis of Reminiscences of a Journey to Lithuania (Jonas Mekas, 1972) and Diary (David Perlov, 1973-1983), two contemporaneous autobiographical works centered on both the
Externí odkaz:
https://doaj.org/article/a6c6f2b56b8d4cb4af243c931b5e67f7
Autor:
Jennifer Cazenave
Publikováno v:
SubStance. 51:30-46
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::32e8de9f6a07d9f37e6c92e278beeb7c
https://doi.org/10.1353/sub.2022.0002
https://doi.org/10.1353/sub.2022.0002
Autor:
Jennifer Cazenave
Publikováno v:
Nexus 6 ISBN: 9781800108691
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9b0dc73d4a60f1637cc1b2686ddee335
https://doi.org/10.2307/j.ctv2xqnf36.8
https://doi.org/10.2307/j.ctv2xqnf36.8
Autor:
Jennifer Cazenave
Publikováno v:
The Cinema of Rithy Panh
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18caa23aced46ca906618304400ff1a0
https://doi.org/10.36019/9781978809833-007
https://doi.org/10.36019/9781978809833-007
Autor:
Jennifer Cazenave
Publikováno v:
Cinema Journal. 57:44-65
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::604210d0669e4a46fe854f9c3b7bfac2
https://doi.org/10.1353/cj.2018.0002
https://doi.org/10.1353/cj.2018.0002
Autor:
Jennifer Cazenave
Publikováno v:
IdeAs : Idées d’Amériques, Vol 7 (2016)
Cet article se propose de tracer deux trajectoires parallèles du journal filmé à travers l’analyse de Reminiscences of a Journey to Lithuania (Jonas Mekas, 1972) et de Diary (David Perlov, 1973-1983), deux œuvres autobiographiques contemporaine
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::56f8e83ef427675d02d2b8f90021a125
http://ideas.revues.org/1505
http://ideas.revues.org/1505
Autor:
Jennifer Cazenave
Publikováno v:
Memory Studies. 3:110-122
First published in France in 2006, Jonathan Littell’s The Kindly Ones (2009) has re-sparked an ongoing debate regarding the Holocaust and the limits of representation. A fictional memoir written from the point of view of a German perpetrator, The K
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a0eaa7253038062a207f8589c0132ebe
https://doi.org/10.1177/1750698009355674
https://doi.org/10.1177/1750698009355674