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of 30
pro vyhledávání: '"Jennifer, Iverson"'
Autor:
Jennifer Iverson
Publikováno v:
The Cambridge Companion to Serialism ISBN: 9781108592116
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cc18220e2a8090ec632d838cdc69390d
https://doi.org/10.1017/9781108592116.021
https://doi.org/10.1017/9781108592116.021
Autor:
Jennifer Iverson
Publikováno v:
Modernism/Modernity Print Plus. 6
Autor:
Jennifer Iverson
Publikováno v:
Notes. 78:57-59
Autor:
Jennifer Iverson
Publikováno v:
Journal of Interdisciplinary Voice Studies. 4:157-177
Avant-garde electronic music purports to be abstract rather than representational. We are supposed to care only about sound qua sound, but what if the body is fundamentally audible in the musical work? Furthermore, what if the audible body is disable
Autor:
Jennifer Iverson
Publikováno v:
The Routledge Companion to Music Theory Pedagogy ISBN: 9780429505584
The Routledge Companion to Music Theory Pedagogy
The Routledge Companion to Music Theory Pedagogy
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::62b977a0845d12e7358c24f3b0d0069e
https://doi.org/10.4324/9780429505584-66
https://doi.org/10.4324/9780429505584-66
Autor:
Jennifer Iverson
Publikováno v:
Contemporary Music Review. 36:362-387
Electronic music is a hugely impactful development that altered the entire course of twentieth century music, though it often seems a bit hard to access analytically. This article uses sketches to ...
Autor:
Jennifer Iverson
Publikováno v:
Music Theory Spectrum. 39:200-222
Autor:
Jennifer Iverson
Midcentury electronic studios drove the development of high art music, but also fed back into the cultural sphere in many ways, proving consequential in scientific, architectural, and popular music domains. The phonetics–music collaborations, for i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::39cae53eb73c2c4e7131f972076a6d3f
https://doi.org/10.1093/oso/9780190868192.003.0008
https://doi.org/10.1093/oso/9780190868192.003.0008
Autor:
Jennifer Iverson
Publikováno v:
Electronic Inspirations
In the early 1950s, the WDR studio founders articulated a guiding mythology: electronic music would be a timbral utopia, in which composers would finally have control over all aspects of the sound. In reality, the earliest WDR electronic works were l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1f5e82ee0a2f57e8a3719575926c7a16
https://doi.org/10.1093/oso/9780190868192.003.0002
https://doi.org/10.1093/oso/9780190868192.003.0002
Autor:
Jennifer Iverson
The Westdeutscher Rundfunk [West German Radio] or WDR studio emerged in the early 1950s in Cologne, West Germany in a conflicted Cold War climate. On the one hand, electronic music signified social and artistic progress; avant-garde music stood as a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dd7c89cda76a5fee6de302b9ed318a94
https://doi.org/10.1093/oso/9780190868192.003.0001
https://doi.org/10.1093/oso/9780190868192.003.0001