Zobrazeno 1 - 10
of 41
pro vyhledávání: '"Jean-Marc Chouvel"'
Autor:
Jean-Marc Chouvel
Publikováno v:
Muzikološki Zbornik, Vol 37, Iss 1, Pp 93-102 (2001)
Iannis Xenakis et la musique française, une filiation incomprise?
Externí odkaz:
https://doaj.org/article/1949d1064da14bba8147de2eb69fa9e8
Autor:
Jean-Marc Chouvel
Publikováno v:
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts. :45-60
C’est peu de dire que Xenakis a marque son époque. Peu de musiciens ont propose une rupture aussi significative dans la conception meme du fait musical, au point que cette ligne de fracture est encore extrêmement vivante. On essaiera de comprendr
We present Harmonic Maps, a visualization of three-note chord spaces and an interactive application that allows users to explore in real-time the connection between the visualization and its mapped sounds. While typical harmonic analysis is based onl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::32323d087a950ea5b6b6889648635b89
Autor:
Ayari, Mondher, Jean-Marc, Chouvel
Publikováno v:
Michel Imberty : la psychologie de la musique au-delà des sciences cognitives
Mondher Ayari & Jean-Marc Chouvel. Michel Imberty : la psychologie de la musique au-delà des sciences cognitives, Paris, France. Delatour-France, 2020
Mondher Ayari & Jean-Marc Chouvel. Michel Imberty : la psychologie de la musique au-delà des sciences cognitives, Paris, France. Delatour-France, 2020
International audience; Si les travaux de Michel Imberty dans le domaine de la psychologie cognitive de la musique sont connus (Entendre la musique, 1979, Les écritures du temps, 1981), ils ne s’inscrivent dans les courants comportementalistes et
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::d4309cce3c7951d012813c9fbca4c2f2
https://hal.archives-ouvertes.fr/hal-02468266
https://hal.archives-ouvertes.fr/hal-02468266
"This article deals with the automatic representation of formal diagrams, which corresponds to a paradigmatic analysis of the musical work which is being listened to. These diagrams represent musical materials as a function of time and are initially
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5e56451a2117c4cb62cdd009b19e17b4
Publikováno v:
HAL
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::aa9142e436a8b95e484adb139aa82bc8
https://hal-amu.archives-ouvertes.fr/hal-03183621
https://hal-amu.archives-ouvertes.fr/hal-03183621
Autor:
Jean-Marc Chouvel
Publikováno v:
Aberrant Nuptials
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::07e4f91818e01cb133f59b3f69fd4178
https://doi.org/10.2307/j.ctvmd83nt.4
https://doi.org/10.2307/j.ctvmd83nt.4
Michel Imberty a une triple formation, philosophique, musicologique et psychologique. Ses recherches se situent aux frontières de ces trois champs disciplinaires auxquels s'ajoutent l'esthétique musicale et la psychanalyse. Dans ce vaste ensemble,
Autor:
Jean-Marc Chouvel
Publikováno v:
Journal of New Music Research. 33:19-29
Structuralism and cognitivism have been confronted in their attempt to provide a method to musical analysis. The aim of musical analysis appears to be the description and explanation of the relations between the events constitutive of a work (interna
Publikováno v:
The Journal of the Acoustical Society of America. 141:3800-3800
Measurement of physical properties alone has failed to predict how an instrument will be perceived by musicians. Physical properties are only capable of characterizing an instrument as an object. They are not enough to characterize the suitability of