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pro vyhledávání: '"Jean Lee Cole"'
Autor:
Jean Lee Cole
In a series of columns published in the African American newspaper The Christian Recorder, the young, charismatic preacher Henry McNeal Turner described his experience of the Civil War, first from the perspective of a civilian observer in Washington,
Autor:
Jean Lee Cole
African Americans, by and large, were largely excluded from the empowering forms of the comic sensibility. Yet the works of George Herriman and James “Jimmy” Swinnerton display a distinctly black comic sensibility that drew on visual and literary
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9d232baebaa85acf11ac1bd191ae13cf
https://doi.org/10.14325/mississippi/9781496826527.003.0005
https://doi.org/10.14325/mississippi/9781496826527.003.0005
Autor:
Jean Lee Cole
The comic sensibility can ultimately be described as a way to make sense of trauma through collective feeling. This chapter offers avenues to explore further, especially the comic sensibility as expressed by women on stage, in comic strips, in fictio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bf1600213657617d592018fdaa607f02
https://doi.org/10.14325/mississippi/9781496826527.003.0006
https://doi.org/10.14325/mississippi/9781496826527.003.0006
Autor:
Jean Lee Cole
A particularly grotesque form of the comic sensibility emerged in the closing years of the nineteenth century in the works of George Luks. Luks was called on to take over Richard Outcault’s phenomenally popular Yellow Kid comic strip at Joseph Puli
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::21330d93f3ed52e3ce590224dfc785d6
https://doi.org/10.14325/mississippi/9781496826527.003.0002
https://doi.org/10.14325/mississippi/9781496826527.003.0002
Autor:
Jean Lee Cole
This chapter shows how the early comic strip was developed and then came to influence comic fiction in the early twentieth century. As the editor of the New York Journal‘s comic supplement, Rudolph Block regularized the use of panels, repetitive st
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb521b519f7b6db7d6d2b46b5bb1d747
https://doi.org/10.14325/mississippi/9781496826527.003.0003
https://doi.org/10.14325/mississippi/9781496826527.003.0003
Autor:
Jean Lee Cole
In How the Other Half Lives, Jacob Riis sentimentalized the urban poor, a familiar rhetorical and representational strategy used to elicit righteous outrage that would propel social reform. Others took a different approach. Based in bodily forms of h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd7a2479fe67f1884ffe0878e4866d5c
https://doi.org/10.14325/mississippi/9781496826527.003.0001
https://doi.org/10.14325/mississippi/9781496826527.003.0001
Autor:
Jean Lee Cole
Illustrators of popular magazine fiction struggled to reconcile the distortions of caricature with realistic modes of representation. William Glackens was one who succeeded. Combining close attention to narrative with a style of sketch-drawing that n
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::421e39af08fa82d7bc8ea435aa0cb88d
https://doi.org/10.14325/mississippi/9781496826527.003.0004
https://doi.org/10.14325/mississippi/9781496826527.003.0004
Autor:
JEAN LEE COLE
In the popular press of the early twentieth century, immigrant masses and the tenement districts were frequently portrayed as occasions for laughter rather than as objects of pity or problems to be solved. This distinctly comic sensibility, most visi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0551bd1e804b7af5c475e3084bf69cf2
https://doi.org/10.14325/mississippi/9781496826527.001.0001
https://doi.org/10.14325/mississippi/9781496826527.001.0001
Autor:
Jean Lee Cole1
Publikováno v:
Canadian Review of American Studies. 2017, Vol. 47 Issue 3, p373-402. 30p.
Autor:
Jean Lee Cole
When realists engage in comedy, they are hardly ever funny. Their comic efforts strike the reader as clumsy intrusions into a world that is otherwise governed by natural or societal forces. Yet the comic mode, and an aspect of the comic that could be
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::20f13d8f48ce8a4eddd8113f3c0e1f7f
https://doi.org/10.1093/oxfordhb/9780190642891.013.9
https://doi.org/10.1093/oxfordhb/9780190642891.013.9