French Poetic Realism and American Noir: 'It’s always too late’'

Autor: Rebecca Martin

Publikováno v: Linguae &: Rivista di Lingue e Culture Moderne, Vol 16, Iss 2, Pp 13-27 (2018)

This paper investigates the connections between French Poetic Realism of the 1930s and American film noir and argues that their significance has been understated. The goals of this study are three-fold. It begins with an examination of the treatment

Externí odkaz: https://doaj.org/article/8bb0aa75246042c3865dd52b2bb515bf

Quand le cafard fait son cinéma : la mise en scène du cafard colonial dans les films français des années 1930

Autor: Jean-François Staszak

Publikováno v: Carnets de Géographes, Vol 9 (2016)

During the 1930s, colonial movies often included a cafard (blues) scene. The cafard colonial affected female characters, played at times by realistic singers, as well as male roles, such as those played by the French star Jean Gabin. But this nostalg

Externí odkaz: https://doaj.org/article/e3dc10396db04449a20660dabf17f2a2

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« Encore une admiratrice ! » À quoi sert une star de cinéma : réflexion à l’aune de lettres de spectateurs et de spectatrices (début des années 1920, début des années 1930)

Autor: Myriam Juan

Publikováno v: Mise au Point, Vol 6 (2014)
Mise au Point
Mise au Point, Association française des enseignants et chercheurs en cinéma et audio-visuel, 2014, N° 6, ⟨10.4000/map.1684⟩

International audience; This article focuses on fan letters received in 1921 by Sandra Milovanoff after her performance in Louis Feuillade The Two Girls, and by Jean Gabin between 1931 and 1932, at the beginning of the actor wonderful career. These d

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1c377f3a2f6752e8117c80e85fda91c2
http://map.revues.org/1684

Jean Gabin: The Actor Who Was France. By Joseph Harriss.

Autor: Reader, Keith¹ keithreader045@gmail.com

Publikováno v: French Studies. Jan2020, Vol. 74 Issue 1, p151-151. 1p.