Zobrazeno 1 - 10 of 61 pro vyhledávání: '"Jean Bresson"'
1
Score Objects in OM#
Autor: Jean Bresson
Publikováno v: TENOR 2021 proceedings
International Conference on Technologies for Music Notation and Representation (TENOR'20/21)
International Conference on Technologies for Music Notation and Representation (TENOR'20/21), 2021, Hamburg / Online, Germany
This paper is an overview of the new score objects and editors available in the OM# visual programming and computer-assisted composition environment.
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::083429e0d676c4eb1029beee86309ae0
https://hal.archives-ouvertes.fr/hal-03221785/document
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2
Instruments électriques, électroniques et virtuels - Musique-Images-Instruments 17
Autor: Florence Gétreau, Marc Battier, Olivier Carpentier, Thierry Maniguet, Christophe d'Alessandro, Peter Asimov, Steve Waksman, Jean-Claude Battault, Elena Ungeheuer, Oliver Wiener, Tatjana Böhme-Mehner, Daniel Teruggi, Pierre Couprie, Jean Bresson, Marco Stroppa, Peter Donhauser, Philippe Bruguière, Tristan Labouret, Jean-Marc Baffert
Publikováno v: Florence Gétreau et Marc Battier. 17, CNRS Éditions, 349 p., 2018, Musique-Images-Instruments. Revue française d'organologie et d'iconographie musicale, 978-2-272-11763-2
www.cnrseditions.fr
HAL
International audience; Ce volume 17 de Musique • Images • Instruments est le premier consacré à la musique du XXe siècle et à ses instruments. Marc Battier en a été le concepteur à nos côtés. Il ouvre donc cette livraison par une introd
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::02ff71ce3a1da3fc7d2cb89a6155f9ed
https://halshs.archives-ouvertes.fr/halshs-01961490
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3
Interactive-compositional Authoring of Sound Spatialization
Autor: Thibaut Carpentier, Jean Bresson, Jérémie Garcia
Publikováno v: Journal of New Music Research
Journal of New Music Research, Taylor & Francis (Routledge), 2017, 46 (1), pp.20. ⟨10.1080/09298215.2016.1230632⟩
Journal of New Music Research, 2017, 46 (1), pp.20. ⟨10.1080/09298215.2016.1230632⟩
International audience; SPAT-SCENE is a graphical user interface and spatial sound processor embedded in computer-aided composition software. It combines the interface and the rendering engine of Ircam Spatialisateur with a compositional and temporal
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::419cc54fbc678c11d127cf34f9fc9e0b
https://doi.org/10.1080/09298215.2016.1230632
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4
From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided Composition
Autor: Jean Bresson, Paul Best, Diemo Schwarz, Alireza Farhang
This paper presents preliminary works exploring the use of machine learning in computer-aided composition processes. We propose a work direction using motion recognition and audio descriptors to learn abstract musical gestures.
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::3bfa629178db256bafcdbc337ef279af
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5
Musical Gesture Recognition Using Machine Learning and Audio Descriptors
Autor: Jean Bresson, Paul Best, Diemo Schwarz
Publikováno v: International Conference on Content-Based Multimedia Indexing (CBMI'18)
International Conference on Content-Based Multimedia Indexing (CBMI'18), 2018, La Rochelle, France
CBMI
International audience; We report preliminary results of an ongoing project on automatic recognition and classification of musical "gestures" from audio extracts. We use a machine learning tool designed for motion tracking and recognition, applied to
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c877e20b02599f3eb6f78311bb8edc9c
https://hal.archives-ouvertes.fr/hal-01839050/file/om-xmm-gesture.pdf
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6
Timed Sequences: A Framework for Computer-Aided Composition with Temporal Structures
Autor: Jérémie Garcia, Dimitri Bouche, Jean Bresson
Publikováno v: TENOR 2017, 3rd International Conference on Technologies for Music Notation and Representation
TENOR 2017, 3rd International Conference on Technologies for Music Notation and Representation, May 2017, A Coruña, Spain
Third International Conference on Technologies for Music Notation and Representation (TENOR 2017)
Third International Conference on Technologies for Music Notation and Representation (TENOR 2017), May 2017, A Coruña, Spain
HAL
International audience; The software framework we present implements a simple and generic representation of the temporal dimension of musical structures used in computer-aided composition software. These structures are modeled as ordered sets of abst
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::8089079a6fcb56bb0afdaf44debff1ad
https://hal.archives-ouvertes.fr/hal-01484077/document
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7
Next-generation Computer-aided Composition Environment: A New Implementation of OpenMusic
Autor: Jean Bresson, Dimitri Bouche, Thibaut Carpentier, Diemo Schwarz, Jérémie Garcia
Publikováno v: International Computer Music Conference (ICMC'17)
International Computer Music Conference (ICMC'17), 2017, Shanghai, China
International Computer Music Conference (ICMC'17), 2017, Shanghai, China. Proceedings of the International Computer Music Conference
HAL
International audience; O7 is a new implementation of the OpenMusic computer-aided composition environment. This paper gives a general presentation of its visual programming framework, musical structures, and in-built graphical editors. It also descr
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::1e0e2d6f84f2127dc5bb5bc2b235406c
https://hal.archives-ouvertes.fr/hal-01567619v2/file/o7-icmc2017.pdf
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8
Computer-aided Composition of Musical Processes
Autor: Jérôme Nika, Dimitri Bouche, Jean Bresson, Alex Chechile
Publikováno v: Journal of New Music Research
Journal of New Music Research, Taylor & Francis (Routledge), 2017, 46 (1), ⟨10.1080/09298215.2016.1230136⟩
Journal of New Music Research, 2017, 46 (1), ⟨10.1080/09298215.2016.1230136⟩
International audience; We present the formal model and implementation of a computer-aided composition system allowing for the ‘composition of musical processes’. Rather than generating static data, this framework considers musical objects as dyn
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::df17ea0712641dc028fbb18d4db92ff0
https://hal.archives-ouvertes.fr/hal-01370792/file/jnmr15.pdf
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9
Trajectoires: a Mobile Application for Controlling Sound Spatialization
Autor: Xavier Favory, Jérémie Garcia, Jean Bresson
Publikováno v: CHI EA '16: ACM Extended Abstracts on Human Factors in Computing Systems.
CHI EA '16: ACM Extended Abstracts on Human Factors in Computing Systems., May 2016, San Jose, United States. pp.4, ⟨10.1145/2851581.2890246⟩
CHI Extended Abstracts
International audience; Trajectoires is a mobile application that lets composers draw trajectories of sound sources to remotely control any spatial audio renderer using the Open Sound Control protocol. Interviews and collaborations with contemporary
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::59aca3bf9676d73fe0ffca8cbda67295
https://hal.inria.fr/hal-01285852/document
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10
o.OM: Structured-Functional Communication between Computer Music Systems using OSC and Odot
Autor: Jean Bresson, John MacCallum, Adrian Freed
Publikováno v: ACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM '16)
ACM SIGPLAN Workshop on Functional Art, Music, Modeling & Design (FARM '16), 2016, Nara, Japan. ⟨10.1145/2975980.2975985⟩
FARM@ICFP
International audience; O.—odot—is a portable media programming framework based on the OSC data encoding. It embeds a small expression language which allows writing and executing programs in OSC structures. The integration of programming and decl
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::65251b56da19f578ed2530b61f6ee0a4
https://hal.archives-ouvertes.fr/hal-01353794/document
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