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pro vyhledávání: '"Jason Middleton"'
Autor:
Jason Middleton
Publikováno v:
Discourse. 44:328-348
Publikováno v:
Discourse. 44:283-288
Autor:
Christina Wolfson, Danielle E Gauvin, Juliana Schulz, Sandra Magalhaes, Catherine M Tansey, Anthony Feinstein, Alice Aiken, Brittany Scarfo, Jason Middleton, Parminder Raina, Linda VanTil, Istvan Molnar-Szakacs
Publikováno v:
Military Medicine.
Introduction Research on the health of older Veterans in Canada is an emerging area. Few population-based studies in Canada have included older Veterans as a specific group of interest. This paper describes a cohort of self-identified Veterans within
Autor:
Meredith A. Bak, Jason Middleton
Publikováno v:
Quarterly Review of Film and Video. 37:203-226
One might say that the true subject of the horror genre is the struggle for recognition of all that our civilization represses or oppresses; its re-emergence dramatized as an object of horror, a ma...
Autor:
Aviva Briefel, Jason Middleton
2024 MPCA/ACA Best Edited Collection, Midwest Popular Culture Association / Midwest American Culture Association (MPCA/ACA) How work and capitalism inspire horror in modern film. American ideals position work as a source of pride, opportunity, and me
Publikováno v:
Pediatric dentistry. 41(6)
Autor:
Jason Middleton
Publikováno v:
Feminist Media Histories. 3:121-140
Postfeminist ideology “takes feminism into account” by framing liberal feminist principles as already achieved, thus preempting a more radical feminist politics that it constructs as both unpleasant and irrelevant. In a corresponding mode, postfe
Autor:
Jason Middleton, Michelle Sunderman, Meg Howard, David Glasbrenner, Stacy Dean, Young W. Choi
Publikováno v:
ECS Meeting Abstracts. :1361-1361
The QS-B220 Explosives Trace Detector (ETD; Implant Sciences Corporation, Wilmington, MA, USA) was tested to determine whether Sample Traps (Impant Sciences Part No. 42200191 REV) contaminated with severe acute respiratory syndrome coronavirus (SARS-
Autor:
Jason Middleton
Publikováno v:
Cinema Journal. 56:143-147
Autor:
Jason Middleton
Publikováno v:
Journal of Visual Culture. 14:285-292
This article reevaluates critical distinctions between so-called ‘art-horror’ and ‘natural’ or real-world horror to challenge larger modal distinctions between fiction and documentary film and their ostensibly divergent spectatorial practices