Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Jara Fernández Meneses"'
Autor:
Jara Fernández Meneses
Publikováno v:
Secuencias, Vol 0, Iss 33 (2016)
Desde una perspectiva histórica, este artículo analiza las estrategias empleadas por el cine norteamericano a comienzos de la década de 1970 para elaborar un nuevo modelo de representación de la comunidad afroamericana. A través del análisis de
Externí odkaz:
https://doaj.org/article/79c4628ca4884a87a21cfe9062e26221
Publikováno v:
Quarterly Review of Film and Video. 39:711-730
In recent years, a series of mainstream popular comedies have been produced in France, Italy and Spain. These films share a key commonality: they exploit regional stereotypes as their fundamental c...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd1a545e3164592c471305c7661e89b1
https://doi.org/10.1080/10509208.2021.1881397
https://doi.org/10.1080/10509208.2021.1881397
Autor:
Jara Fernández Meneses
Publikováno v:
International Journal of Cultural Policy. 27:705-719
This article takes the Miro Law as a case study in order to analyse what type of cinema was regarded suitable to depict the values of the new Spain at the end of the Transition period (1975–1982) a...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::900e63e50774a752a78ef5f033fb610a
https://doi.org/10.1080/10286632.2020.1844676
https://doi.org/10.1080/10286632.2020.1844676
Autor:
Jara Fernández Meneses
Publikováno v:
Hispanic Research Journal. 20:87-103
espanolEste articulo analiza la politica cinematografica llevada a cabo por Jorge Semprun como Ministro de Cultura (1988–91); particularmente, el conocido como Decreto Semprun, promulgado en 1989. Mientras que la denominada Ley Miro ha sido ampliam
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::03f3c45c16819f8322b3de5fbd3f9b41
https://doi.org/10.1080/14682737.2019.1603444
https://doi.org/10.1080/14682737.2019.1603444
Autor:
Jara Fernández Meneses
This book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislatio
Publikováno v:
Studies in European Cinema. :1-17
This article explores three recent Spanish films Grupo 7 (Group 7, 2012), La isla minima (Marshland, 2014) and El hombre de las mil caras (Smoke and Mirrors, 2016) that can be classified as...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f196b254f99b8d7f7e38abb4eab612b3
https://doi.org/10.1080/17411548.2018.1442696
https://doi.org/10.1080/17411548.2018.1442696
Publikováno v:
Film Studies. 16:1-5
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::31566de91d9d12c597627cba208dda51
https://doi.org/10.7227/fs.16.0001
https://doi.org/10.7227/fs.16.0001