Zobrazeno 1 - 10
of 25
pro vyhledávání: '"Janet Schmalfeldt"'
Autor:
Janet Schmalfeldt, Gabriel Navia
Publikováno v:
Musica Theorica, Vol 5, Iss 1 (2021)
Uma mudança permanente aos 34 anos de idade, da Itália para os serviços privados da princesa Maria Bárbara, em Portugal e posteriormente na Espanha, permitiu que Domenico Scarlatti fugisse da fama e da classificação estilística. Na ausência d
Externí odkaz:
https://doaj.org/article/9a7dd3a8bab243f6b32a99b62df6f617
Autor:
JANET SCHMALFELDT
Publikováno v:
Music Analysis. 41:349-393
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b61f67254680d0d6e257cd3ee61b3610
https://doi.org/10.1111/musa.12200
https://doi.org/10.1111/musa.12200
Autor:
Janet Schmalfeldt
Publikováno v:
19th-Century Music. 43:170-193
The theoretic model of the “unreliable narrative” in fiction took flight in the early 1960s; it has since become a key concept in narratology, and an indispensable one. Simply put, first-person unreliable narrators are ones about whom we as reade
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::25f4cbce6851200ecf9fc701d6d5054a
https://doi.org/10.1525/ncm.2020.43.3.170
https://doi.org/10.1525/ncm.2020.43.3.170
Autor:
Janet Schmalfeldt
Publikováno v:
Rethinking Brahms ISBN: 0197541739
Of the many poets Brahms chose for his songs, one will remain anonymous—the Scottish bard-as-narrator who transmitted the horrific account of a patricide known as the “Edward” ballad. Brahms cited Herder’s translation of “Edward” as a mot
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a8ff2b3a8200c60a05d7660b8a69e30c
https://doi.org/10.1093/oso/9780197541739.003.0006
https://doi.org/10.1093/oso/9780197541739.003.0006
Autor:
Janet Schmalfeldt
Publikováno v:
Music Analysis. 38:253-296
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c7b0993be758909bfd5a6e9e3d100b68
https://doi.org/10.1111/musa.12139
https://doi.org/10.1111/musa.12139
Autor:
Gabriel Navia, Janet Schmalfeldt
Publikováno v:
Musica Theorica. 5
Uma mudança permanente aos 34 anos de idade, da Itália para os serviços privados da princesa Maria Bárbara, em Portugal e posteriormente na Espanha, permitiu que Domenico Scarlatti fugisse da fama e da classificação estilística. Na ausência d
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8bcbe382fc222203cbfdff07d076df0d
https://doi.org/10.52930/mt.v5i1.138
https://doi.org/10.52930/mt.v5i1.138
Autor:
Janet Schmalfeldt
Like so many foundational music-theoretical terms, “phrase” has been adopted in divergent ways, sometimes unreflectively. Notions of phrase are necessarily contingent upon styles, genres, historical and cultural contexts, social functions, and ti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::04bade0af3e0e762e08095e65116fde8
https://doi.org/10.1093/oxfordhb/9780190454746.013.20
https://doi.org/10.1093/oxfordhb/9780190454746.013.20
Autor:
Janet Schmalfeldt
Much may be gained from approaching the works of Adorno and Dahlhaus as manifestations of a long-standing tradition in which Beethoven's music serves as an agent within the kind of historical process that Hegel's philosophy predicates. The metaphor t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a354e5a0c2f6d2c3ed2bc6de9aab5cad
https://doi.org/10.4324/9781315096506-16
https://doi.org/10.4324/9781315096506-16
Autor:
Janet Schmalfeldt
Publikováno v:
Music Theory Online. 22
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5e893e716461626b1be1cfa3740a8f8e
https://doi.org/10.30535/mto.22.2.10
https://doi.org/10.30535/mto.22.2.10