Zobrazeno 1 - 10 of 13 pro vyhledávání: '"Jana Dudková"'
1
Akademický článek
Bratislava in Slovak Films of the First Decade of the New Millennium
Autor: Jana Dudková
Publikováno v: Slovenska Literatura, Vol 68, Iss 3, Pp 325-336 (2021)
The article deals with the way Bratislava was portrayed in Slovak films with urban settings produced in the first decade of the 21st century and shows how these portrayals changed over this period. Methodologically, the article is based on basic heur
Externí odkaz: https://doaj.org/article/56066ccd95a141dd82c8ccdb22452643
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2
Akademický článek
Cultural Memory in Representations of Central Europe: The Case of Slovak Cinema after 1989
Autor: Jana Dudková
Publikováno v: Kultura (Skopje), Vol 3, Iss 4, Pp 75-86 (2014)
This paper concentrates on some distinctive modes of negotiation of Slovak identity as an identity lost between various notions of the centre and the margin. Inspired by texts of A. Kiossev, H. K. Bhabha and M. Augé, it proposes an account of contem
Externí odkaz: https://doaj.org/article/ea1ca23340db449384f7f87bb94433ac
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6
Three Films About Distrust. Distrust in the Systemic Elements of Society in Slovak Cinema in the Period of Consolidation
Autor: Jana Dudková
Publikováno v: Slovenské divadlo, Vol 65, Iss 4, Pp 345-360 (2017)
Using the example of three films – Kandidát (The Candidate, 2013, dir. Jonáš Karásek), Pirko (Little Feather, 2016, dir. Lucia and Petr Klein Svoboda), and Únos (Kidnapping, 2017, dir. Mariana Čengel-Solčanská), the present study deals with
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::57e9bdc76a15a183d94c160b0e096665
https://doi.org/10.1515/sd-2017-0020
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7
On the beautiful blue Danube: a case study of imagining Europe without Europe in the mid-1990s Slovak Cinema
Autor: Jana Dudková
Publikováno v: Studies in Eastern European Cinema. 9:76-88
The article discusses specific modes of Europeanisation in Stefan Semjan's Na krasnom modrom Dunaji/On the Beautiful Blue Danube (1994). Despite of its semi-amateur-like appearance, the Slovak film...
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::ef64f932ff80f45b040751c6a5905da3
https://doi.org/10.1080/2040350x.2017.1404704
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8
Form(ulat)ing Mistrust in the State in the 1990s’ Slovak Live-Action Films
Autor: Jana Dudková
Publikováno v: Slovenské divadlo, Vol 65, Iss 3, Pp 302-315 (2017)
The text deals with the ways in which Slovak live-action films made in the 1990s introduced the topic of mistrust in the State and in its institutions. Using specific examples, the text demonstrates that such mistrust was not primarily a critical att
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3c592e04da996d03bc8bcfc7322fb752
http://www.degruyter.com/view/j/sd.2017.65.issue-3/sd-2017-0017/sd-2017-0017.xml?format=INT
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10
How Can a Post-Yugoslav Experience Become Actual (Again)?
Autor: Jana Dudková
Publikováno v: Studies in Eastern European Cinema. 8:303-305
The breakup of Yugoslavia used to function as a metaphor for the fragility of the modern European world since 1991. The investment into research about the symptomatic nature of Yugoslav or Balkan c...
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::4ecf48c5e81ba20d2dd48589cc0812ce
https://doi.org/10.1080/2040350x.2017.1353670
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