Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Jan Motal"'
Publikováno v:
Media and Communication, Vol 12, Iss 0 (2024)
One of the key obstacles to the normative development of post-socialist media systems, in general, and the Czech Republic in particular, is the deferral of the thoughtful reflection and critical examination of the evolution of the media industry by a
Externí odkaz:
https://doaj.org/article/49dfbeacf2b4449d90bd11f500148496
Autor:
Jan Motal
Publikováno v:
Filozofia, Vol 78, Iss 7 (2023)
This article explores Buber's philosophy of art, correlating it with his early emphasis on individual realization, as well as his dialogical philosophy as articulated in 'I and Thou' and theopolitical perspectives. The study posits that Buber perceiv
Externí odkaz:
https://doaj.org/article/ed1858043428411295bcdfdc78d0fa0b
Autor:
Jan Motal
Publikováno v:
Sociální studia, Vol 10, Iss 2 (2016)
Externí odkaz:
https://doaj.org/article/2639da0877534c3c8f770054dbf865a6
Autor:
Jan Motal, Michaela Vetešková
Publikováno v:
Studia theologica. 25:137-157
Autor:
Jan Motal
Publikováno v:
Central European Journal of Communication
The article presents an analysis of the news broadcast on Czech public television during the first wave of the COVID-19 pandemic in March 2020. Based on the concept of post-politics, the analysis illustrates how Czech Television created consensus, na
Autor:
Jan Motal
Publikováno v:
Slovenské divadlo : časopis Slovenskej akadémie vied
The article presents the basic elements of Gustav Landauer’s and Martin Buber’s thinking on theatre and drama. It shows they are rooted in the late 19th-century critique of language (Sprachkritik), trying to overcome the representational function
Autor:
Jan Motal
Publikováno v:
Theatralia. :201-217
Autor:
Jan Motal
Publikováno v:
Slovenske divadlo /The Slovak Theatre. 68:276-292
Autor:
Jan Motal
Publikováno v:
Slovenské divadlo, Vol 66, Iss 3, Pp 311-329 (2018)
The presented article is a polemic with Alain Badiou’s concept of theatre-politics isomorphism. The author adapts the basic elements of Badiou’s philosophy (event, void Ø, truth etc.), provides an interpretation of his theory of theatre and pres
Autor:
Jan Motal
Publikováno v:
Slovenské divadlo, Vol 65, Iss 3, Pp 316-326 (2017)
The article combines both philosophical and psychological approaches to argue that art and theatre performance especially can be grasped as a revelation of the universal and basic human concern, which is existential anxiety. The author presents an op