Zobrazeno 1 - 10
of 55
pro vyhledávání: '"Jamshed J. Bharucha"'
Publikováno v:
Music Perception. 33:319-331
Science since antiquity has asked whether mathematical relationships among acoustic frequencies govern musical relationships. Psychophysics rejected frequency ratio theories, focusing on sensory phenomena predicted by linear analysis of sound. Cognit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f841741736d4669b5848277a561dbc12
https://doi.org/10.1525/mp.2016.33.3.319
https://doi.org/10.1525/mp.2016.33.3.319
Publikováno v:
Annals of the New York Academy of Sciences. 1303:63-79
Music has been a wonderful tool to investigate the interconnection between brain science, psychology, and human experience. Moderated by Steve Paulson, executive producer and host of To the Best of Our Knowledge, cognitive neuroscientist and musician
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c40058637a72c708bdaaab6c681b7135
https://doi.org/10.1111/nyas.12183
https://doi.org/10.1111/nyas.12183
Autor:
Meagan Curtis, Jamshed J. Bharucha
Publikováno v:
Emotion. 10:335-348
There is a long history of attempts to explain why music is perceived as expressing emotion. The relationship between pitches serves as an important cue for conveying emotion in music. The musical interval referred to as the minor third is generally
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b98bffc1bfe980ce3a0fd9fd24757669
https://doi.org/10.1037/a0017928
https://doi.org/10.1037/a0017928
Autor:
Jamshed J. Bharucha, Nalini Ambady
Publikováno v:
Current Directions in Psychological Science. 18:342-345
The goal of this article is to highlight recent work examining how culture affects neural activation. We suggest a framework for cultural neuroscience in which there are two objectives: culture mapping—or the mapping function from patterns characte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::280c770e3bb0c6bea220d63ce78de14a
https://doi.org/10.1111/j.1467-8721.2009.01664.x
https://doi.org/10.1111/j.1467-8721.2009.01664.x
Autor:
Jamshed J. Bharucha
Publikováno v:
Connection Science. 21:177-192
This article addresses the modelling of harmony and pitch, highlighting the parallels across these two domains. The harmony model involves mapping from tone classes to chords and keys using self-organisation, and accounts for a range of psychological
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7a32882422df20e342849e8339b65e7b
https://doi.org/10.1080/09540090902733822
https://doi.org/10.1080/09540090902733822
Autor:
Jamshed J. Bharucha, Meagan Curtis
Publikováno v:
Music Perception. 26:365-375
WE EXPLORED HOW MUSICAL CULTURE SHAPES ONE'S listening experience.Western participants heard a series of tones drawn from either the Western major mode (culturally familiar) or the Indian thaat Bhairav (culturally unfamiliar) and then heard a test to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::92144a615104694398a6f34fcc163671
https://doi.org/10.1525/mp.2009.26.4.365
https://doi.org/10.1525/mp.2009.26.4.365
Publikováno v:
Journal of Experimental Psychology: Human Perception and Performance. 34:1031-1043
Harmonic priming studies have shown that a musical context with its tonal center influences target chord processing. In comparison with targets following baseline contexts, which do not establish a specific tonal center, processing is facilitated for
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::82f9352d4eeb242722397499f8f9741c
https://doi.org/10.1037/0096-1523.34.4.1031
https://doi.org/10.1037/0096-1523.34.4.1031
Publikováno v:
Cognition. 100:131-172
In this paper, we argue that music cognition involves the use of acoustic and auditory codes to evoke a variety of conscious experiences. The variety of domains that are encompassed by music is so diverse that it is unclear whether a single domain of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b47dd7ca7c5f22e7ee2bc977a42f89f2
https://doi.org/10.1016/j.cognition.2005.11.008
https://doi.org/10.1016/j.cognition.2005.11.008
Publikováno v:
Music Perception. 20:283-305
We investigated the spontaneous detection of "wrong notes" in a melody that modulated continuously through all 24 major and minor keys. Three variations of the melody were composed, each of which had distributed within it 96 test tones of the same pi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::62d83d3ca6364e69713d1bb8f35cbdbb
https://doi.org/10.1525/mp.2003.20.3.283
https://doi.org/10.1525/mp.2003.20.3.283
Publikováno v:
Cognitive, Affective, & Behavioral Neuroscience. 2:121-140
Polyphonic music combines multiple auditory streams to create complex auditory scenes, thus providing a tool for investigating the neural mechanisms that orient attention in natural auditory contexts. Across two fMRI experiments, we varied stimuli an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e62942979f2394bdb7a846e0f719b049
https://doi.org/10.3758/cabn.2.2.121
https://doi.org/10.3758/cabn.2.2.121