Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Jamila M. H. Mascat"'
Publikováno v:
Postcolonial Studies. 25:136-141
Autor:
Jamila M. H. Mascat
Publikováno v:
Critical Times. 4:530-542
Autor:
Jamila M. H. Mascat
Publikováno v:
The Monopoly of Man. :xi-xliv
Publikováno v:
Postcolonial Studies, 25, 1-16
Postcolonial Studies, 25, 1, pp. 1-16
Postcolonial Studies, 25, 1, pp. 1-16
In the last decade, the terms ‘decolonial’ and ‘decoloniality’ have been deployed in an expansive manner and have gained increasing traction across many theoretical and political domains. Therefore, a critical assessment of the specific decol
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3d340ba90085b1b1c673f6ac98e3401c
https://doi.org/10.1080/13688790.2022.2041695
https://doi.org/10.1080/13688790.2022.2041695
A comprehensive collection of texts from the most influential and iconic figure of Italian second-wave feminism. Recently rediscovered in Italy and abroad, the works of Carla Lonzi tend to fall under the remit of art history or feminist theory. Art h
Autor:
Jamila M. H. Mascat, Gregor Moder
What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of
Autor:
Jamila M. H. Mascat
Publikováno v:
The Object of Comedy ISBN: 9783030277413
Hegel was the first major philosophical figure to put comedy on top of the classic triad of genres, above epic and tragedy. Moreover, as has been suggested by thinkers as different as Jacques Lacan, Bertolt Brecht, and Judith Butler, Hegel’s dialec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4cfcef459039f89c98700d977f25d867
https://doi.org/10.1007/978-3-030-27742-0_4
https://doi.org/10.1007/978-3-030-27742-0_4
Autor:
Jamila M. H. Mascat
Publikováno v:
The Object of Comedy ISBN: 9783030277413
In this short interview, theatre director and playwright Romeo Castellucci shares his own take on comedy. Drawing on his previous work on Aeschylus’ Oresteia—which he conceived of as an “organic comedy”—Castellucci explains what in his view
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b9fd5523c9ee4dd0551ed98aee094491
https://doi.org/10.1007/978-3-030-27742-0_16
https://doi.org/10.1007/978-3-030-27742-0_16