Zobrazeno 1 - 10
of 50
pro vyhledávání: '"James Uden"'
Autor:
James Uden
The Invisible Satirist offers a fresh new reading of the Satires of Juvenal, rediscovering the poet as a smart and scathing commentator on the cultural and political world of second-century Rome. Breaking away from the focus in recent scholarship on
Autor:
James Uden
Publikováno v:
Antichthon. 55:94-115
This article offers a new examination of the place of philosophy in Catullus’Carmina.It focuses on Egnatius, the ‘smiling Spaniard’ of poems 37 and 39, and argues that Catullus’ attacks on this character make use of many standard invective tr
Autor:
James Uden
Publikováno v:
American Journal of Philology. 141:575-601
Autor:
James Uden
Publikováno v:
American Journal of Philology. 141:490-493
Autor:
James Uden
Publikováno v:
Spectres of Antiquity
The fifth chapter of the book moves across the Atlantic to consider the influential author of the early American Gothic, Charles Brockden Brown. Although scholars have examined classical themes in certain branches of his published work, this chapter
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::858bcbd032d7810d0890fc8ea1fcaad0
https://doi.org/10.1093/oso/9780190910273.003.0006
https://doi.org/10.1093/oso/9780190910273.003.0006
Autor:
James Uden
Gothic literature imagines the return of ghosts from the past. What about the classical past? Spectres of Antiquity is the first full-length study describing the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::429f12acf6e8211753ade67cd472e672
https://doi.org/10.1093/oso/9780190910273.001.0001
https://doi.org/10.1093/oso/9780190910273.001.0001
Autor:
James Uden
Publikováno v:
Spectres of Antiquity
The final chapter of the book turns to the nexus between classical antiquity, Romanticism, and the Gothic, as it is reflected in the writings of Mary Shelley. “Reanimation” has been frequently identified as a consistent trope in Shelley’s work.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a39ba363eeea7906d307f9db7bd47bf
https://doi.org/10.1093/oso/9780190910273.003.0007
https://doi.org/10.1093/oso/9780190910273.003.0007
Autor:
James Uden
Publikováno v:
Spectres of Antiquity
This chapter examines the dynamic and evolving relationship between conceptions of “Gothic” and “classical” in mid-eighteenth-century criticism. It argues that both terms were highly changeable in their content and were rarely imagined as mer
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bc2c233a1ec9091dfea34c5dfde6c859
https://doi.org/10.1093/oso/9780190910273.003.0002
https://doi.org/10.1093/oso/9780190910273.003.0002
Autor:
James Uden
The book begins by briefly surveying the origin and history of the word Gothic from the Roman Empire to the first canonical novel of the English Gothic tradition, Horace Walpole’s The Castle of Otranto (1764). It then surveys relevant debates about
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f70810104acc5d69e5424cf2358e7b0d
https://doi.org/10.1093/oso/9780190910273.003.0001
https://doi.org/10.1093/oso/9780190910273.003.0001
Autor:
James Uden
This chapter examines the presence of classical texts and objects in the work of Horace Walpole, in his writing and also among his vast collection of miscellaneous artifacts at his villa, Strawberry Hill. First, it considers the textual reuse of line
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c7ccc3ba56230ebfcf7c8117eae15cc2
https://doi.org/10.1093/oso/9780190910273.003.0003
https://doi.org/10.1093/oso/9780190910273.003.0003