Zobrazeno 1 - 10
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pro vyhledávání: '"James J. Kimble"'
Autor:
James J. Kimble
In the wake of Pearl Harbor, President Roosevelt called for the largest arms buildup in our nation's history. A shortage of steel, however, quickly slowed the program's momentum, and arms production fell dangerously behind schedule. The country neede
Autor:
James J. Kimble
Kimble examines the U.S. Treasury's eight war bond drives that raised over $185 billion—the largest single domestic propaganda campaign known to that time. The campaign enlisted such figures as Judy Garland, Norman Rockwell, Irving Berlin, and Dona
Autor:
James J. Kimble
Publikováno v:
Source: Notes in the History of Art. 41:49-58
Autor:
Matthew Pressman, James J. Kimble
Publikováno v:
Media, War & Conflict. 16:3-25
Drawing upon media framing theory and the concept of cognitive scripts, this article provides a new interpretation of the context in which the famous World War II photograph ‘Raising the Flag on Iwo Jima’ appeared. This interpretation is based pr
Autor:
James J. Kimble
Publikováno v:
Home Front Studies. 1:ix-xiii
Autor:
James J. Kimble
Publikováno v:
The Journal of Popular Culture. 52:1557-1559
Autor:
James J. Kimble
Publikováno v:
Rhetoric Review. 38:116-118
Autor:
James J. Kimble
Publikováno v:
The Communication Review. 20:142-161
This article draws on the concepts of narrative interactivity and closure to investigate three World War II-era print media characters. The analysis details how Al Parker’s Mary & Jane and Norman Rockwell’s Willie Gillis developed a perceived aut
Autor:
James J. Kimble
Publikováno v:
Western Journal of Communication. 82:1-19
This article presents a study of the rhetorical dynamics of patriarchal advertising in the United States during World War II. The analysis scrutinizes a series of War Advertising Council (WAC) ads that targeted a wide swath of women on the home front
Autor:
James J. Kimble
Publikováno v:
Rhetoric and Public Affairs. 19:535-570
This essay argues against the prevailing historical conception that George Strock’s graphic photograph of three lifeless Marines—published by Life magazine on September 20, 1943—was the definitive point when domestic U.S. propaganda began to po