Zobrazeno 1 - 10
of 13
pro vyhledávání: '"James Boros"'
Autor:
James Boros
Publikováno v:
Postmodern Culture. 5
T ENDED in an open shaftway, following LBJ's example. By designating cauldron 19 as their sauce, mirages (against no odds) vented mighty grams of plenty, and cast visceral tracking smoke in henceforth unforeseen celebrations of danger. Without too mu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::670b80f6caad2465d8e9cc673881efe2
https://doi.org/10.1353/pmc.1994.0048
https://doi.org/10.1353/pmc.1994.0048
Autor:
James Boros
Publikováno v:
Perspectives of New Music. 34:252
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fc51594123ecf09f3eb208da65a80d0f
https://doi.org/10.2307/833505
https://doi.org/10.2307/833505
Autor:
James Boros
Publikováno v:
Perspectives of New Music. 32:226
I'M PUZZLED BY MR. BOHN'S RESPONSE to my essay, particularly his claim that I present a "bipolar view of recent trends in new music with the 'school of complexity' pitted against the 'new romantic' school." Nowhere in my paper do I define or advocate
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8d92f578bdc8545057a058fa1de3a602
https://doi.org/10.2307/833171
https://doi.org/10.2307/833171
Autor:
James Boros
Publikováno v:
Perspectives of New Music. 32:90
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::561cc8633ea3ef110613e7eb6cb113df
https://doi.org/10.2307/833155
https://doi.org/10.2307/833155
Autor:
Brian Ferneyhough, James Boros
Publikováno v:
Perspectives of New Music. 32:114
I SEEM TO RECALL your discussing the notion of musical complexity in terms of the dynamic transmission of information and its relationship to states of stability and instability. Among other things, that's true. How to get a grip on the entire concep
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::45b9e94c1f2f091ae7e92346ff197adf
https://doi.org/10.2307/833157
https://doi.org/10.2307/833157
Autor:
James Boros
Publikováno v:
Perspectives of New Music. 32:102
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::689b9bd3b62ec0b23636da21ede242f9
https://doi.org/10.2307/833156
https://doi.org/10.2307/833156
Autor:
James Boros
Publikováno v:
Perspectives of New Music. 29:280
D ONALD MARTINO'S Fantasy Variations for solo violin was written in 1962, and directly antedates Parisonatina al'Dodecafonia and the Concerto for Wind Quintet, two works which proved to be turning points in the evolution of the composer's highly pers
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::425381f6619cc260005af021ccbdc85f
https://doi.org/10.2307/833442
https://doi.org/10.2307/833442
Autor:
James Boros, Donald Martino
Publikováno v:
Perspectives of New Music. 29:212
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::41d8fd674938b1345dab32bec40c88ff
https://doi.org/10.2307/833440
https://doi.org/10.2307/833440
Autor:
James Boros
Publikováno v:
Perspectives of New Music. 28:294
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cafd9073b0ebd7f58d422c3bb166a8ec
https://doi.org/10.2307/833356
https://doi.org/10.2307/833356
Autor:
James Boros
Publikováno v:
American Music. 8:383
The works of Robert Moevs form an extraordinarily rich and diverse continuum of creative activity. During the course of a career which now spans more than fifty years, Moevs has forged and explored a highly personal compositional style, one which has
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ab4505d28636e6f897b04fb0a85abea5
https://doi.org/10.2307/3051761
https://doi.org/10.2307/3051761