Zobrazeno 1 - 10
of 17
pro vyhledávání: '"James Benning"'
Autor:
Kim, Jihoon, author
Publikováno v:
Documentary's Expanded Fields : New Media and the Twenty-First-Century Documentary, 2022, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780197603819.003.0002
Autor:
Schonig, Jordan, author
Publikováno v:
The Shape of Motion : Cinema and the Aesthetics of Movement, 2022, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190093884.003.0004
Autor:
Sheehan, Rebecca A., author
Publikováno v:
American Avant-Garde Cinema's Philosophy of the In-Between, 2020, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190949709.003.0003
Autor:
José Bértolo, Susana Nascimento Duarte
Publikováno v:
Aniki: Revista Portuguesa da Imagem em Movimento, Vol 4, Iss 1, Pp 191-206 (2017)
James Benning was an invited speaker at the International Conference on Space and Cinema held at the University of Lisbon School of Arts and Humanities between the 28th and the 30th of November 2016. On the morning of the 29th, instead of delivering
Externí odkaz:
https://doaj.org/article/d0d2c24f02c449ae8438f6be5db81d4f
Autor:
Rebecca Anne Sheehan
Publikováno v:
Área Abierta, Vol 19, Iss 3 (2019)
This essay focuses on the epistolary enunciation of recent works by two contemporary American filmmakers, Jem Cohen and James Benning, arguing for the stakes of viewing their films through an epistolary lens rather than the lenses of literary forms l
Externí odkaz:
https://doaj.org/article/7861aedae63b40788bad4d81f4baa5a9
Autor:
MacDonald, Scott, author
Publikováno v:
The Sublimity of Document : Cinema as Diorama, 2019, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190052126.003.0010
Autor:
MacDonald, Scott, author
Publikováno v:
The Sublimity of Document : Cinema as Diorama, 2019, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190052126.003.0019
Autor:
Glyn Davis
Publikováno v:
Davis, G 2018, ' James Benning, taxidermist ', Moving Image Review & Art Journal, vol. 7, no. 1, pp. 38-51 . https://doi.org/10.1386/miraj.7.1.38_1
This essay explores the relationship between cinema and taxidermy, and some of the ways in which artists and experimental film-makers have used the moving image to engage with the ramifications of stuffing and preserving animals. It is argued that th
Publikováno v:
Aniki: Revista Portuguesa da Imagem em Movimento, Vol 4, Iss 1, Pp 191-206 (2017)
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Aniki: Portuguese Journal of the Moving Image; Vol 4 No 1 (2017): Landscape and cinema; 191-206
Aniki: Revista Portuguesa da Imagem em Movimento; v. 4 n. 1 (2017): Paisagem e cinema; 191-206
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Aniki: Portuguese Journal of the Moving Image; Vol 4 No 1 (2017): Landscape and cinema; 191-206
Aniki: Revista Portuguesa da Imagem em Movimento; v. 4 n. 1 (2017): Paisagem e cinema; 191-206
James Benning was an invited speaker at the International Conference on Space and Cinema held at the University of Lisbon School of Arts and Humanities between the 28th and the 30th of November 2016. On the morning of the 29th, instead of delivering
Autor:
Sheehan, Rebecca Anne
Publikováno v:
Área Abierta; Vol. 19 Núm. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 363-381
Área Abierta; Vol. 19 No. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 363-381
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Área Abierta; Vol 19 No 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 363-381
Área Abierta; Vol. 19 No. 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 363-381
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Área Abierta; Vol 19 No 3 (2019): La enunciación epistolar en el cine contemporáneo / Epistolary Enunciation in Contemporary Cinema; 363-381
This essay focuses on the epistolary enunciation of recent works by two contemporary American filmmakers, Jem Cohen and James Benning, arguing for the stakes of viewing their films through an epistolary lens rather than the lenses of literary forms l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::827c5f4d08331b4ac64fd0156563af8c
https://revistas.ucm.es/index.php/ARAB/article/view/63612
https://revistas.ucm.es/index.php/ARAB/article/view/63612