Zobrazeno 1 - 10
of 54
pro vyhledávání: '"Jadwiga Czerwinska"'
Autor:
Jadwiga Czerwinska
Publikováno v:
Meander.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dc9c45b2c8a391dbf6e1c2656f060afa
https://doi.org/10.24425/meander.2019.130849
https://doi.org/10.24425/meander.2019.130849
Publikováno v:
Symbolae Philologorum Posnaniensium Graecae et Latinae. 31:63-78
Madness is a constant motif in ancient literature. It was often used by playwrights, including the three greatest tragedians of the Classical Greece: Aeschylus, Sophocles and Euripides. One of the most interesting plays dealing with issues of madness
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b28879b80c45303617980d45f7608eb9
https://doi.org/10.14746/sppgl.2021.xxxi.1.6
https://doi.org/10.14746/sppgl.2021.xxxi.1.6
Autor:
Jadwiga Czerwinska
The plague as a terrifying phenomenon affecting people has been a constant topos in literature since antiquity. Its nature and the mysterious way in which it appeared attracted the attention and imagination of poets, who explained it as a punishment
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::92f89375fdd0ea98fa1b3573446d0470
https://hdl.handle.net/11089/42958
https://hdl.handle.net/11089/42958
Autor:
Jadwiga Czerwinska
Publikováno v:
Collectanea Philologica, Iss 21, Pp 39-57 (2018)
Ekphrasis is one of the forms that the Greek tragic dramatists used in their plays. From a dramaturgical point of view it was a very important element of play strictly connected with the conventions of the ancient theater. The examples taken from the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::726ee21ce76c4e5f14cd9129e6ee6e36
https://doi.org/10.18778/1733-0319.21.03
https://doi.org/10.18778/1733-0319.21.03
Autor:
Jadwiga Czerwinska
Publikováno v:
Collectanea Philologica, Iss 21, Pp 59-74 (2018)
One of the dramatic ekphrasis forms is the ekphrasis of stage design. It describes what is usually made visible, at least partially, to the public, drawing its attention to important elements of scenography that played a significant role in the perfo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::15c6e25c269b2bd598c7c8adbbc582b5
https://czasopisma.uni.lodz.pl/collectanea/article/view/4357
https://czasopisma.uni.lodz.pl/collectanea/article/view/4357
Prezentowana publikacja to leksykon stanowiący kompendium wiedzy na temat dramatu i teatru starożytnego. Autorki włączyły do niej wyniki badań nad słabo znanymi tekstami scholiów i na tej podstawie opracowały wszystkie najważniejsze zagadni
Autor:
Jadwiga Czerwinska
Publikováno v:
Collectanea Philologica, Iss 21, Pp 153-158 (2018)
This is the first Polish translation of Porphyry’s of Tyre text done by Ewa Osek. Except for the translation, the book contains the Greek text, a comprehensive introduction to the content of the work, a description of manuscripts and editions, as w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9461d2803dbe3991abf95ae2d1e1c39f
https://hdl.handle.net/11089/27073
https://hdl.handle.net/11089/27073
This book gives a comprehensive overview of the phenomenon of artistic dialogue with ancient myths. The contributions assume a double-track research approach. The contributors investigate the procedure of myths'recycling within Greco-Roman antiquity,
Publikováno v:
The Metamorphoses of Ancient Myths
According to Pliny the Elder, an Egyptian palm tree bearing “big, hard, fibrous” syagri dates with a “taste of venison so characteristic of the wild boars” existed in his time, in synchrony with the phoenix bird (NH 13, 42–43). Greek and La
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e0f738b31b872b7a0083c53feefbba37
https://doi.org/10.3726/978-3-653-06632-6
https://doi.org/10.3726/978-3-653-06632-6
The reception of Mediterranean Antiquity heritage is one of the dominant research areas in contemporary classical studies. This issue has constituted the scope of the conference Reception of Ancient Myths in Ancient, Modern and Postmodern Culture, wh