Zobrazeno 1 - 10
of 187
pro vyhledávání: '"Ivelise, Perniola"'
Autor:
Cristina Formenti, Laura Rascaroli, Ivelise Perniola, Samuel Antichi, Bernadette Luciano, Diego Cavallotti, Andrea Mariani, Laura Busetta
Publikováno v:
Schermi, Vol 2, Iss 4 (2019)
This issue investigates the Italian documentary film with particular attention to the contemporary production. In particular, it maps some of the main influences that have characterized and that characterize today the Italian documentary, analysing t
Externí odkaz:
https://doaj.org/article/b4bf4f37751440c29e9cdb7f7bdf66c1
Autor:
Ivelise Perniola
Publikováno v:
Schermi, Vol 2, Iss 4 (2019)
The theoretical reflection on Italian contemporary documentary focuses mainly on the expression of the visible. The present essay, instead, aims to investigate the invisible, what is not seen and the motivations behind these absences. What forms of s
Externí odkaz:
https://doaj.org/article/8c9c178f5cb74b0ead64e37804bf3032
Autor:
Ivelise, Perniola
Lemma Poiesis-Poesis according to Gianni Vattimo's philosophy.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::ae6d076204203fb9edee2faa1285fb76
https://hdl.handle.net/11590/434627
https://hdl.handle.net/11590/434627
Autor:
Ivelise, Perniola
Breve testo in qualità di presidente della giuria Dams Roma Tre.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::3b6bd5b25cfb1559479589ef3e77ab64
https://hdl.handle.net/11590/412144
https://hdl.handle.net/11590/412144
Autor:
Ivelise, Perniola
Analisi del documentario Pugni in faccia di Fabio Caramaschi letto secondo la prospettiva del biografico all'interno del cinema documentario.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::2b904d48b636e9f4761917712ff182cc
https://hdl.handle.net/11590/415169
https://hdl.handle.net/11590/415169
Autor:
Ivelise Perniola
Publikováno v:
Rivista di Estetica, Vol 46, Pp 123-135 (2011)
The entire work of Dziga Vertov can be read as a continuous attempt to transform cinema from a visual art to an antivisual art, an art ontologically iconoclast. In this essay I will try to develop this underestimated key of reading Vertov’s oeuvre.
Externí odkaz:
https://doaj.org/article/650ec9ac5b934e138018a81e982b18a0
Autor:
Ivelise Perniola
François Truffaut è il regista simbolo della Nouvelle vague. Con il travolgente successo de I 400 colpi ha dato forma al linguaggio giovane e spregiudicato dei “giovani turchi”, i critici agguerriti raccolti intorno alla redazione dei «Cahiers
Autor:
Ivelise, Perniola
Omaggio per il pensionamento di Sandra Lischi.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::958b581861e27fd812ad7b6cb46b5c6f
https://hdl.handle.net/11590/396029
https://hdl.handle.net/11590/396029
Autor:
Ivelise, Perniola
Riflessione, a cento anni dalla nascita, intorno all'attualità straordinaria del cinema di Chris Marker.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3668::2e0f7e3134ea0dd6b9074e93dac21c07
https://hdl.handle.net/11590/386274
https://hdl.handle.net/11590/386274