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Autor:
Ivanchenko Inna I.
Publikováno v:
Художественная культура, Iss 4, Pp 748-773 (2024)
The article presents an analysis of the embodiment of existentialist ideas in the cinematic work of the 1940s — 1960s of the Italian director Luchino Visconti. The main attention is paid to the screen adaptation of the novel The Stranger (1942) by
Externí odkaz:
https://doaj.org/article/238da4970c1b4f6eacd8f6285ef637cd
