Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Ivan Medenica"'
Autor:
Ivan Medenica
Publikováno v:
Critical Stages, Iss 24 (2021)
There could be different manifestations of a “theatre of ecology”: from new versions of a so-called poor theatre with the use of reduced and/or recycled materials, including set design, props and costumes, to the concept of an eco-dramaturgy with
Externí odkaz:
https://doaj.org/article/c731c835da444b4397a8770c65e410d9
Autor:
Ivan Medenica
Publikováno v:
Critical Stages, Iss 22 (2020)
Externí odkaz:
https://doaj.org/article/f25bed68157346f49e00c63cc8feac77
Autor:
Ivan Medenica
Publikováno v:
Critical Stages, Iss 15 (2017)
Externí odkaz:
https://doaj.org/article/9f29dd32c7de4bcab9c4232f2663cdd8
Autor:
Ivan Medenica
Publikováno v:
Critical Stages, Iss 4 (2011)
On s’interroge ici sur le fait que la conscience critique et l’engagement social au théâtre dans une période de transition économique (ce qui, en Europe de l’Est, n’est qu’une manière décente de parler de vulgaire « accumulation orig
Externí odkaz:
https://doaj.org/article/2ccc0b573e824e55b91f2c2c4154c621
Autor:
Ivan Medenica
Publikováno v:
Critical Stages, Iss 4 (2011)
Ivan Medenica[1] 1296608184 Résumé L’« Intercritique » sans conflit d’intérêt Peut-on être un « intercritique » sans se compromettre ? Ici, Ivan Medenica affirme que la question n’est pas aussi neuve qu’on le pense. L’enj
Externí odkaz:
https://doaj.org/article/be03f6c3d19a403aaae7ee59282631fb
Autor:
Ivan Medenica
Publikováno v:
Dramsko i postdramsko pozorište. 2022:1-14
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5de0d02c912e314867524db547864884
https://doi.org/10.18485/fdu_zr.2022.dpdp.1
https://doi.org/10.18485/fdu_zr.2022.dpdp.1
Autor:
Ivan Medenica
Publikováno v:
Dramsko i postdramsko pozorište. 2022:15-29
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::abcb1fe5c4df304db0e6a050c63a2c98
https://doi.org/10.18485/fdu_zr.2022.dpdp.2
https://doi.org/10.18485/fdu_zr.2022.dpdp.2
Publikováno v:
Zastita prirode. 72:39-51
Sesalačka cave is a well-known speleological site on the northeastern border of the Sokobanja structural basin in Eastern Serbia. In order to protect the cave, expert associates of the Institute for Nature Conservation of Serbia have carried out res
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0590c1a96123a1e678ef65ac575e0d3a
https://doi.org/10.5937/zaspri2201039n
https://doi.org/10.5937/zaspri2201039n
Autor:
Ivan Medenica
Publikováno v:
Зборник радова Факултета драмских уметности. 2022:11-22
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5169dfac6bc0a905d606b7b5eebc9e76
https://doi.org/10.18485/fdu_zr.2022.42.1
https://doi.org/10.18485/fdu_zr.2022.42.1
Autor:
Ivan Medenica
Publikováno v:
New Theatre Quarterly. 37:273-280
Ivan Medenica here analyzes the cultural shift that the Belgrade International Theatre Festival (BITEF) experienced after 1989. From its beginnings in the late 1960s until the end of the1980s, BITEF was a representation of the dominant multicultural,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e764e62ff7976c33ccc61c139922bb44
https://doi.org/10.1017/s0266464x21000178
https://doi.org/10.1017/s0266464x21000178