THÉÂTRE DU SOLEIL AND THE MUSIC OF JEAN-JACQUES LEMÊTRE

Autor: Iulia URSA

Publikováno v: Studia Universitatis Babeş-Bolyai. Musica, Vol 68, Iss Special Issue 1, Pp 129-140 (2023)

The contemporary performative scene is defined by the interaction of the means of artistic expression, which determines a permanent renewal of the scenic language. This article discusses the multiple stage practices that animate in the play the theat

Externí odkaz: https://doaj.org/article/03b4edb1351444f3acd3887003a6c07b

The evolution of literary translations: a case study of the Romanian translation and retranslation of 'A Little Cloud'

Autor: Andra Iulia Ursa

Publikováno v: Swedish Journal of Romanian Studies. 4:111-125

It goes without saying that literary translators participate actively in the creative process of authors. They read the original work and try to understand the author’s perspective, so that they are able to communicate the message to those readers

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::a349da9989179dee810a7197a9f1ff24
https://doi.org/10.35824/sjrs.v4i1.22409

Collocation and connotation in chapter 'Scylla and Charybdis' of James Joyce’s Ulysses. An analytical study of the Romanian translation

Autor: Andra Iulia Ursa

Publikováno v: Swedish Journal of Romanian Studies. 3:152-167

The present article was written as part of the PhD dissertation entitled “An analysis regarding the evolution of James Joyce’s writing style in ‘Dubliners’, ‘A Portrait of the Artist as a Young Man’ and ‘Ulysses’ and the strategies of

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::f58034668b4a9f0a9bf638a9ae498bbe
https://doi.org/10.35824/sjrs.v3i1.20460

Mircea Ivănescu – a Romanian poet rendering the style of James Joyce’s Ulysses. The concept of fidelity in translating the overture from 'Sirens'

Autor: Andra Iulia Ursa

Publikováno v: Swedish Journal of Romanian Studies; Vol 2 Nr 1 (2019): Swedish Journal of Romanian Studies; 42-61
Swedish Journal of Romanian Studies; Vol 2 No 1 (2019): Swedish Journal of Romanian Studies; 42-61

The following paper deals with a view on the concept of fidelity in literary translation with an analysis of the Romanian poet Mircea Ivănescu’s work on the overture of episode eleven: “Sirens” from James Joyce’s “Ulysses”. Mircea Ivăne

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::925e3f34f6fde63b24a64a1165079b55
https://doi.org/10.35824/sjrs.v2i1.18745

Instances of (un)translatability in Ion Creangă’s 'Amintiri din copilărie'/'Memories of my boyhood'

Autor: Andra-Iulia Ursa

Publikováno v: OJS-Lund University Library

These days, writing about untranslatability may seem courageous, as more and more voices associate this issue with translation incapacity and, instead, advocate for creative remedies or even reject such an instance. This study does not deal with a co

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::56e89ce2e339810e5ec9b599eb6ad2a3
https://journals.lub.lu.se/sjrs/article/view/23925