Zobrazeno 1 - 10
of 937
pro vyhledávání: '"Italian cinema"'
Autor:
Giuseppe Gatti
Publikováno v:
ZoneModa Journal, Vol 14, Iss 1, Pp 103-126 (2024)
The essay explores the intersections between Italian film, fashion, and hip-hop “Golden age” masculinity from 1992 to 1997, with a specific focus on Vibe magazine. Through an analysis of Vibe’s coverage of hip-hop and fashion, I argue that the
Externí odkaz:
https://doaj.org/article/8838536e467542a1aead316ed06999bf
Autor:
Anna V. Jampol’skaja
Publikováno v:
Studia Litterarum, Vol 9, Iss 2, Pp 342-361 (2024)
The paper evaluates the contribution of the journal “Inostrannaia literatura” to the reception of P.P. Pasolini’s work in Russia. The research is based on an analysis of the archives of the journal and all published materials related to Pasolin
Externí odkaz:
https://doaj.org/article/4c5dd30de4964a41926e09216faeb5ff
Autor:
Nisan Ilkmen
Publikováno v:
CINEJ Cinema Journal, Vol 12, Iss 1 (2024)
While gender inequality remains to be a phenomenon that impacts women globally, the different challenges women are facing in the Mediterranean region where cultural values of honor function as barrier to women’s emancipation beyond the patriarchal
Externí odkaz:
https://doaj.org/article/4302beb2406349489724c6091273700c
Autor:
Marta Snoch
Publikováno v:
Studia Filmoznawcze, Vol 44, Pp 87-100 (2023)
The article focuses on certain aspects of the cinematic and cultural references in the second season of HBO’s TV series The White Lotus. The author draws parallels between the classic works of Italian and Hollywood cinema and various themes of the
Externí odkaz:
https://doaj.org/article/baf71a4dbf014bd8909453a604b3359e
Autor:
Peter Vorissis
Publikováno v:
Literature, Vol 3, Iss 4, Pp 457-472 (2023)
This article examines three of Dario Argento’s supernatural horror films (Suspiria, Phenomena, and Dark Glasses) and their use of fairy tale imagery and narratives, which distinguishes them from murder-mystery-oriented giallo films. In them, Argent
Externí odkaz:
https://doaj.org/article/d569e2690cce4cc7b3cea0650995b47d
Autor:
Denis Lotti
Publikováno v:
Cinergie, Iss 22, Pp 145-160 (2022)
La canzone dell’amore – directed by Gennaro Righelli and produced by Cines Pittaluga in 1930 – according to historical studies, is the first sound film direct driven in Italian. The issue is more complex referring to reviews of that time. Sei t
Externí odkaz:
https://doaj.org/article/c79562122eb74b9f9c9f783dffa0e45b
Autor:
Malčić, Dejan
Publikováno v:
Палимпсест, Меѓународно списание за лингвистички, книжевни и културолошки истражувања / Palimpsest, International Journal for Linguistic, Literary and Cultural Research. 8(15):151-159
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1131204
Autor:
Hamid Khalili, AnnMarie Brennan
Publikováno v:
Journal of Design for Resilience in Architecture and Planning, Vol 3, Iss (Special Issue), Pp 97-112 (2022)
Abstract The 1960 Italian film Rocco and His Brothers (Rocco e i suoi Fratelli) is one of the greatest exemplars of Italian post-war cinema. The film depicts the disintegration and deterritorialization of an immigrant family from Lucania, a southern
Externí odkaz:
https://doaj.org/article/2feb8aba844146f98227ae8a58ed753e
Autor:
Dunja Jelenkovic
Publikováno v:
Cinergie, Iss 22, Pp 55-68 (2022)
This article analyses film festival practices related to the Trieste Crisis, the diplomatic struggle over the Northern Adriatic borderlands between (capitalist) Italy and (socialist) Yugoslavia (1945-1954). It explores how different forms of festival
Externí odkaz:
https://doaj.org/article/2df122e7a66740b0bd448a748d6df16b