Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Irene V. Small"'
Autor:
Irene V. Small
Publikováno v:
ARS, Vol 15, Iss 30, Pp 255-276
Resumo Este artigo analisa uma incidência quase contemporânea da prática pós-pintura - o uso de pigmento bruto -, utilizada pelo artista neo-avant-garde francês Yves Klen e pelo artista brasileiro Hélio Oiticica. O uso de pigmento bruto por amb
Externí odkaz:
https://doaj.org/article/83fbf3c91f9a47b28b323d627c53c7bd
Autor:
Irene V. Small
Publikováno v:
A Companion to Modern and Contemporary Latin American and Latina/o Art. :200-216
Autor:
Irene V. Small
A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia ClarkWhat would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In
Autor:
Mary Ellen Carroll, Noah Fischer, Mabel O. Wilson, Cameron Rowland, Renée Green, An-My Lê, Ruth B. Phillips, Cassils, Tania Bruguera, Paul Chan, Noel W. Anderson, Benjamin Kunkel, Eric Foner, Naeem Mohaiemen, Sarah E. Lewis, Finbarr Barry Flood, Thomas Hirschhorn, Kirk Savage, Michael Diers, Martino Stierli, Coco Fusco, Andrew Weiner, John Lansdowne, Dell Upton, James Benning, Sharon Hayes, Maya Nadkarni, Thomas J. Lax, Rachel Kushner, Jessica Winegar, Alex Lichtenstein, Hari Kunzru, Gregory Sholette, Irene V. Small, Joanna Fiduccia, Lucia Allais, Achille Mbembe, Sam Durant, Steven Nelson, Andreas Huyssen, Andrew G. Cole, Chris Reitz, Rachel Harrison, Silvia Kolbowski, Andrew Lichtenstein, Greil Marcus, Tavia Nyong'o, Robert Slifkin, Jason E. Smith, Sarah Nuttall, Tom Burr
Publikováno v:
October. 165:3-177
“A Questionnaire on Monuments” features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: “From Charlottesville to Cape Town, there have been struggles over monuments and other markers
Autor:
Irene V. Small
Publikováno v:
October. 152:82-102
This article analyzes a near-contemporaneous incidence of post-painterly practice—the use of raw pigment—utilized by the French neo—avant—garde artist Yves Klein and the Brazilian artist Hélio Oiticica. The use of raw pigment by both artists
Autor:
Irene V. Small
Hélio Oiticica (1937–80) was one of the most brilliant Brazilian artists of the 1960s and 1970s. He was a forerunner of participatory art, and his melding of geometric abstraction and bodily engagement has influenced contemporary artists from Cild
Autor:
Irene V. Small
Publikováno v:
Third Text. 26:91-101
In 1959, immediately after the publication of the ‘Neoconcrete Manifesto’, the Brazilian poet and critic Ferreira Gullar embarked on an art historical series, ‘Stages of Contemporary Art’, published in weekly installments in the Suplemento Do
Autor:
Irene V. Small
Publikováno v:
Journal of Visual Culture. 9:237-241
Autor:
Irene V. Small
Publikováno v:
Res: Anthropology and aesthetics. :294-307