‘Archetypal Load of Tension’: Idiosyncratic Idioms of Surrealism Created by Aleksander Krzywobłocki and Margit Reich-Sielska in the 1930s in Lviv

Autor: Irena Kossowska

Publikováno v: Arts, Vol 13, Iss 5, p 145 (2024)

This article examines the artistic contributions of two members of the ‘artes’ group, active in Lviv (Lwów during the interwar period) from 1929 to 1935: Aleksander Krzywobłocki (1901–1979) and Margit Reich-Sielska (1900–1980). Situated wit

Externí odkaz: https://doaj.org/article/d6b58c74f2e1470ba2ff38f7f083e779

State Construction and Art in East Central Europe, 1918–2018

Autor: Irena Kossowska, Agnieszka Chmielewska, Marcin Lachowski

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::e27d77fe746d3b8949c8fbbfe3284cd4
https://doi.org/10.4324/9781003265818

Looking at Zagreb: The Italian State as a Popularizer of Contemporary Art

Autor: Samuel D. Albert, Darija Alujević, Josipa Alviž, Jasminka Babić, Sára Bárdi, Līna Birzaka-Priekule, Tamara Bjažić Klarin, Borka Bobovec, Tijana Borić, Dubravka Botica, Marina Bregovac Pisk, Matea Brstilo Rešetar, Sandi Bulimbašić, Heidi A. Cook, Aleksandra Čelovski, Dragan Čihorić, Jakub Dąbrowski, Dragan Damjanović, Francesco Del Sole, Ljiljana Dobrovšak, Christian Drobe, Frano Dulibić, Ana Ereš, Bartol Fabijanić, Jasenka Ferber Bogdan, Ivan Ferenčak, Marta Filipová, Snezhana Filipova, Dorotea Fotivec Očić, Christiane Fülscher, Jan Galeta, Laura Gioeni, Agita Gritāne, Julia Harasimowicz, Elvira Ibragimova, Mirko Ilić, Ivana Janković, Marko Jenko, Darko Kahle, Sniedze Kāle, Jānis Kalnačs, Ivan Kokeza, Irena Kossowska, Richard Kurdiovsky, Franci Lazarini, Rita Ļegčiļina-Broka, Lana Lovrenčić, Silvija Lučevnjak, Lovorka Magaš Bilandži, Zvonko Maković, Martina Malešič, Chiara Mannoni, Igor Marjanović, Raimondo Mercadante, Željka Miklošević, Jovana Milovanović, Viktoriia Myronenko, Jasminka Najcer Sabljak, Jasmina Nestić, Andreas Nierhaus, Mario Pintarić, Patricia Počanić, Mirjam Rajner, Giovanni Rubino, Katerina Rüedi Ray, Karolina Rybačiauskaitė, Carmen Sârbu, Julia Secklehner, Vanja Stojković, Anna Stuhlpfarrer, Zoltán Suba, Nikola Tomašegović, Marcel Tomášek, Antonia Tomić, Tomáš Valeš, Marcus van der Meulen, Nóra Veszprémi, Jeremy F. Walton, Sanja Zadro, Sanja Žaja Vrbica

In 1965, at the 12th International Conference of Critics, Artists and Art Scholars, held in Rimini, Verucchio and San Marino and devoted to the theme Art and Technology, Italian art critic Giulio Carlo Argan declared that Yugoslavia had overcome the

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3668::10210ed503c6d34c076f3bd1abe944ba
https://hdl.handle.net/11590/389591

Realisms of the Avant-Garde

Autor: Paula Ribeiro Lobo, Steen Bille Jørgensen, Irena Kossowska

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::2aaad169faa84ecd93c69b231d6221e9
https://doi.org/10.1515/9783110637533

Politicized Aesthetics: German Art in Warsaw of 1938

Autor: Irena Kossowska

Publikováno v: Meno Istorija ir Kritika, Vol 13, Iss 1, Pp 29-41 (2017)

Summary This paper focuses attention on the reception of the exhibition “Deutsche Bildhauer der Gegenwart”, which was inaugurated on April 23rd, 1938 at the Institute of Art Propaganda in Warsaw – an institution whose exhibition hall was consid

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7cd8496f0d32c872a6ca5ebbc3079142
https://doaj.org/article/9d4b9de8629e4241aff6679014c960ca