Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Innocentia J Mhlambi"'
Autor:
Bhekizizwe Peterson, Khwezi Mkhize, Makhosazana Xaba, Jill Bradbury, Hugo Canham, Victoria J Collis-Buthelezi, Simon Gikandi, Anne-Maria Makhulu, Athambile Masola, Innocentia J Mhlambi, Sikhumbuzo Mngadi, Thando Njovane, Obi Nwakanma, James Ogude, Christopher EW Ouma, Stéphane Robolin, Crain Soudien, Tina Steiner, Thuto Thipe, Andrea Thorpe
The essays in this collection were crafted in celebration of the centenaries, in 2019, of Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es'kia Mphahlele, all of whom were born in 1919. All four centenarians lived rich and diverse l
Autor:
Innocentia J. Mhlambi
Publikováno v:
Journal of the African Literature Association. 17:112-131
Autor:
Innocentia J. Mhlambi
Publikováno v:
Critical Arts. 34:90-102
The death of Winnie Madikizela-Mandela was accompanied by startling revelations concerning the strategies employed by the apartheid state in the (un)making of her political image. This commentary c...
Publikováno v:
Mintirho ya Vulavula
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d808b913bca78099cb9532629c5e9f7
https://doi.org/10.2307/j.ctv1k76jmn.7
https://doi.org/10.2307/j.ctv1k76jmn.7
Autor:
Innocentia J. Mhlambi
Publikováno v:
South African Journal of African Languages. 36:109-122
The Internet’s capacity for ‘space flows’ and ‘timeless time’ has emerged as a new multi-functional communications technology. Its everyday use reveals intriguing ways contemporary societies connect in its sphere to (re)configure their iden
Publikováno v:
African Studies. 75:1-9
Autor:
Innocentia J. Mhlambi
Publikováno v:
African Studies. 75:48-73
The opera of black America and opera Indigene of settler-invaded continents initiated a trend in opera criticism that introduces new insights into the role of this classical genre in modern times. The treatment of black and indigenes operatic subject
Autor:
Innocentia J. Mhlambi
Publikováno v:
Journal of African Cultural Studies. 27:294-310
In this paper I discuss Mzilikazi Khumalo's opera, Princess Magogo kaDinuzulu (2002), composed eight years into South Africa's new dispensation. It is an opera which articulates nationalist discourses yet reflects a number of broader ambiguities rela
Autor:
Innocentia J. Mhlambi
Publikováno v:
English Studies in Africa. 57:81-91
Zuluboy’s Hail to the King provides an instance of interpretation where the seeming imperial reach of the hip-hop musical genre can be seen as in contradictory entanglements with new-age global capitalist empire, the past British empire and the Zul