Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Imamovic, Ahmed"'
Publikováno v:
The Iowa Review, 1976 Apr 01. 7(2/3), 86-88.
Externí odkaz:
https://www.jstor.org/stable/20158602
Autor:
Salekin, Sirajus, Bush, Micaela, Gracic, Alma, Imamovic, Ahmed, Khoja, Ahsan A., Kim, Jinhee, Nguyen, Lam T., Pun, Sunil, Rai, Ashutosh, Seewald, Alexander K., Yee, Benjamin L., Lerner, Michael G.
Publikováno v:
In Biophysical Journal 2 February 2018 114(3) Supplement 1:89a-89a
Autor:
Trakilović, Milica
Publikováno v:
Transnational Cinemas; Oct2016, Vol. 7 Issue 2, p183-195, 13p, 3 Color Photographs
Autor:
James S. Williams
This exciting and original volume offers the first comprehensive critical study of the recent profusion of European films and television addressing sexual migration and seeking to capture the lives and experiences of LGBTIQ+ migrants and refugees. Qu
Autor:
Radmila Gorup
The book brings together many of the best known commentators and scholars who write about former Yugoslavia. The essays focus on the post-Yugoslav cultural transition and try to answer questions about what has been gained and what has been lost since
Autor:
Malone, Peter
There is never a shortage of priest characters on our screens. Even Spencer Tracy, Bing Crosby and Barry Fitzgerald won Oscars for playing priests. Robert de Niro has been ordained four times (including a bishop). Many stars have been eager to play p
Autor:
Stephen Harper
The Bosnian war of 1992-1995 was one of the most brutal conflicts to have erupted since the end of the Second World War. But although the war occurred in'Europe's backyard'and received significant media coverage in the West, relatively little scholar
Autor:
Zlatan Krajina, Nebojša Blanuša
What is the meaning of the Balkans in the early 21st century? Former Yugoslav countries seek a self-flattering alliance with ‘the West'via EU membership, while the Union's citizens increasingly declare to be ‘Eurosceptic'. At the same time, econo
Autor:
Dijana Jelaca
The links between cinema and war machines have long been established. This book explores the range, form, and valences of trauma narratives that permeate the most notable narrative films about the breakup of Yugoslavia.