Zobrazeno 1 - 10
of 114
pro vyhledávání: '"Ilaria Bonaduce"'
Autor:
Kaare Lund Rasmussen, Bodil Bundgaard Rasmussen, Thomas Delbey, Ilaria Bonaduce, Frank Kjeldsen, Vladimir Gorshkov
Publikováno v:
Heritage Science, Vol 12, Iss 1, Pp 1-17 (2024)
Abstract In 1688 two sculptural fragments, a head of bearded man and a head of an unbearded youth, arrived in Copenhagen, sent from Athens as a gift to King Christian 5. They were placed in the Royal Kunstkammer, their provenance given as the Temple
Externí odkaz:
https://doaj.org/article/785626c575104041bc983419b9e88363
Autor:
Jacopo La Nasa, Alessio Ceccarini, Riccardo Ducoli, Antonella Manariti, Jeanette J. Lucejko, Ilaria Degano, Neva Capra, Lucia Giovannini, Maria Luisa Tomasi, Francesca Modugno, Maria Perla Colombini, Ilaria Bonaduce
Publikováno v:
Scientific Reports, Vol 13, Iss 1, Pp 1-7 (2023)
Abstract From the Pioneer Era of the aviation to World War I the evolution of aircraft technology and chemical synthesis enabled a unique coexistence of traditional craftsmanship, artistic decoration practices, and technological advancements. The stu
Externí odkaz:
https://doaj.org/article/ae0b661904304a79b64528e00e5e3bbd
Publikováno v:
Scientific Reports, Vol 13, Iss 1, Pp 1-11 (2023)
Abstract In this work we propose the use of isothermal thermogravimetry to evaluate the oxidative stability of a lipid and to evaluate how the glyceride composition affects the entire oxidative process, to quantify the oxidation undertaken by the lip
Externí odkaz:
https://doaj.org/article/3a6fc55f94b14d25a2700cc25cee5d85
Autor:
Ophélie Ranquet, Celia Duce, Emilia Bramanti, Patrick Dietemann, Ilaria Bonaduce, Norbert Willenbacher
Publikováno v:
Nature Communications, Vol 14, Iss 1, Pp 1-11 (2023)
Old Masters used paints containing mixtures of oils and proteins, but we lack an understanding on how and why proteins were used. Here, the authors use egg yolk in combination with two pigments to evaluate how different repartition of proteinaceous b
Externí odkaz:
https://doaj.org/article/ee004f437a524a1e9edecb922eed459b
Autor:
Anna Lluveras-Tenorio, Alessia Andreotti, Fabio Talarico, Stefano Legnaioli, Luca M. Olivieri, Maria Perla Colombini, Ilaria Bonaduce, Simona Pannuzi
Publikováno v:
Heritage, Vol 5, Iss 1, Pp 488-508 (2022)
Gandharan art developed in the Himalayan area in the early centuries CE. It has been investigated mostly from an iconographic point of view, missing, until very recently, a systematic technical investigation of materials and techniques. Recently our
Externí odkaz:
https://doaj.org/article/04eb209d1b7047ddb2846214a72b0ba5
Publikováno v:
Applied Sciences, Vol 13, Iss 12, p 7153 (2023)
In the context of the archaeometrical study of Saturnino Gatti’s wall paintings, a significant aspect concerned the study of the organic component to understand both the original binders used in the original areas and the products used for pictoria
Externí odkaz:
https://doaj.org/article/e493535676f64b34b9971334e381a0c5
Autor:
Francesca Nardelli, Francesca Martini, Judith Lee, Anna Lluvears-Tenorio, Jacopo La Nasa, Celia Duce, Bronwyn Ormsby, Marco Geppi, Ilaria Bonaduce
Publikováno v:
Scientific Reports, Vol 11, Iss 1, Pp 1-13 (2021)
Abstract A molecular-level understanding of the structure of the polymeric network formed upon the curing of air-drying artists’ oil paints still represents a challenge. In this study we used a set of analytical methodologies classically employed f
Externí odkaz:
https://doaj.org/article/ed10ffd9b8d648ab90370137e4650d5b
Publikováno v:
Heritage Science, Vol 6, Iss 1, Pp 1-10 (2018)
Abstract Metal soaps and resinates are known to be spontaneously formed in artistic paintings, as a product of the reaction between aliphatic and terpenoid acids released by hydrolysis and oxidation of the organic media and certain cations contained
Externí odkaz:
https://doaj.org/article/c0e33fefe4d7488484409943083138d0
Autor:
Ilaria Bonaduce, Anna Lluveras Tenorio, Alessia Andreotti, Sibilla Orsini, Maria Perla Colombini, Marialaura Dilillo, Liam Andrew McDonnell
Publikováno v:
Restauro Archeologico, Vol 27, Iss 1 (2019)
In a polychrome artefact, coloured paint layers are applied on architectural elements or sculptures. Paint layers are made up of the colour, which is most typically an inorganic pigment and, with the exception of frescos, an organic binder, which ena
Externí odkaz:
https://doaj.org/article/df1d3f1c0ba34435bfa4703e634851d5
Autor:
Anna Lluveras-Tenorio, Roberto Vinciguerra, Eugenio Galano, Catharina Blaensdorf, Erwin Emmerling, Maria Perla Colombini, Leila Birolo, Ilaria Bonaduce
Publikováno v:
PLoS ONE, Vol 12, Iss 4, p e0172990 (2017)
A chemical investigation of the organic paint binders of the Giant Buddhas of Bāmiyān was performed using an analytical approach based on mass spectrometry, combining traditional gas chromatography/mass spectrometry protocols with advanced proteomi
Externí odkaz:
https://doaj.org/article/12c260a6c7314b468c46251bb9863fe1