Zobrazeno 1 - 10
of 59
pro vyhledávání: '"Ian Whalley"'
Autor:
Ian Whalley
Publikováno v:
Organised Sound. 20:90-98
This paper proposes expanding telematic electroacoustic music practice through the consideration of affective computing and integration with complex data streams. Current telematic electroacoustic music practice, despite the distances involved, is la
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ddf321d9c9ed0f56c61341d3be2160d8
https://doi.org/10.1017/s1355771814000478
https://doi.org/10.1017/s1355771814000478
Autor:
Ian Whalley
Publikováno v:
Organised Sound. 19:244-259
The ‘comprovisation’ (Dudas 2010) of electroacoustic music in an affective manner through Internet2, using a directed dramaturgy approach, poses unique scoring problems. Building on prior work (Whalley 2009, 2012c), GNMISS (Graphic Networked Musi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d269889f783cafbb1bba68ad99456ba4
https://doi.org/10.1017/s1355771814000235
https://doi.org/10.1017/s1355771814000235
Autor:
Ian Whalley
Publikováno v:
Organised Sound. 19:203-207
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::03719d3aee811c0ab76e29a20b0fcd55
https://doi.org/10.1017/s1355771814000144
https://doi.org/10.1017/s1355771814000144
Autor:
Ian Whalley
Publikováno v:
Organised Sound. 17:4-15
Using Internet2 for audio performance, supported by digital video communication between players, provides the opportunity for networked electroacoustic music practitioners to connect with, bridge, amalgamate and lead diverse sound-based music traditi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::87551788e5f006c6410cbe8b5e95690e
https://doi.org/10.1017/s135577181100046x
https://doi.org/10.1017/s135577181100046x
Autor:
Ian Whalley
Publikováno v:
Computer Music Journal. 34:93-96
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::99f790fa9884e64f36893571f00856d5
https://doi.org/10.1162/comj.2010.34.2.93
https://doi.org/10.1162/comj.2010.34.2.93
Autor:
Ian Whalley
Publikováno v:
Organised Sound. 14:156-167
Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various discip
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3ff92ed5c1c3e3d39e4d6cea92b1caf4
https://doi.org/10.1017/s1355771809000260
https://doi.org/10.1017/s1355771809000260
Autor:
Ian Whalley, Asser N. Tantawi, Giovanni Pacifici, Malgorzata Steinder, David M. Chess, Rajarshi Das, Mike Spreitzer
Publikováno v:
Cluster Computing. 9:401-416
This paper presents an autonomic system in which two managers with different responsibilities collaborate to achieve an overall objective within a cluster of server computers. The first, a node group manager, uses modeling and optimization algorithms
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::87a43af3fe16ca0ae6aeab8ed4881705
https://doi.org/10.1007/s10586-006-0009-0
https://doi.org/10.1007/s10586-006-0009-0
Autor:
Ian Whalley
Publikováno v:
Computer Music Journal. 29:83-87
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cc432d6d9194882fe8af0e363e7caaf1
https://doi.org/10.1162/comj.2005.29.2.83
https://doi.org/10.1162/comj.2005.29.2.83
Autor:
Ian Whalley
Publikováno v:
Organised Sound. 10:57-65
This paper examines the integration of traditional New Zealand Mäori instruments with digital music technology, and the use of these instruments in making new works. The focus is on the work of performer/composers Hirini Melbourne and Richard Nunns,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1975493453b469503aad2bfeb376f9aa
https://doi.org/10.1017/s1355771805000671
https://doi.org/10.1017/s1355771805000671
Autor:
Ian Whalley
Publikováno v:
Organised Sound. 9:167-174
This paper focuses on the infrastructure and aesthetic approach used in PIWeCS: a Public Space Interactive Web-based Composition System. The concern was to increase the sense of dialogue between human and machine agency in an interactive work by adap
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1797996385214a5b6fa74edba3c39c6d
https://doi.org/10.1017/s135577180400024x
https://doi.org/10.1017/s135577180400024x