Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Iain Twiddy"'
Autor:
Iain Twiddy
Defying critical suggestions that the pastoral elegy is obsolete, Iain Twiddy reveals the popularity of the form in the work of major contemporary poets Seamus Heaney, Ted Hughes and Paul Muldoon, Michael Longley, Douglas Dunn and Peter Reading. As T
Autor:
Iain Twiddy
Publikováno v:
Sylvia Plath in Context
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7df00389e36ef4cdf59532a1ba98e61d
https://doi.org/10.1017/9781108556200.011
https://doi.org/10.1017/9781108556200.011
Autor:
Andrew Radford, Michael Shallcross, Chrissie van Mierlo, Luke Ferreter, Eric Sandberg, Nick Bentley, Rebecca D’Monte, Graham Saunders, Neil Miles, Matthew Sperling, Iain Twiddy
Publikováno v:
The Year's Work in English Studies. 94:839-951
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fea182bb3d1fb467af4681cdfc56bf08
https://doi.org/10.1093/ywes/mav010
https://doi.org/10.1093/ywes/mav010
Autor:
Iain Twiddy
Publikováno v:
Irish Studies Review. 21:425-443
At the heart of myth is negotiation, as the inner world comes to terms with external conditions. Many contemporary Irish poets have turned to mythical material in order to explore how, as Derek Mahon suggested, a good poem could be a paradigm of good
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cef451e60271f5e6f9a961bd6159ac4a
https://doi.org/10.1080/09670882.2013.845411
https://doi.org/10.1080/09670882.2013.845411
Autor:
Iain Twiddy
This is the first critical study to offer a sustained analysis of the theme of cancer in contemporary poetry. In discussing works by major poets, including Paul Muldoon, Jo Shapcott and Christopher Reid, Cancer Poetry traces the complex ways in which
Autor:
Iain Twiddy
Publikováno v:
New Hibernia Review. 16:18-36
In a 1999 interview, Paul Muldoon asserted that if a poem “has no obvious destination, there’s a chance we’ll be setting out on an interesting ride,” even if that endpoint is back where the poem began. In “The Sightseers,” from Quoof (198
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f521045ee3a18953f45d921a00ed31c0
https://doi.org/10.1353/nhr.2012.0058
https://doi.org/10.1353/nhr.2012.0058
Autor:
Iain Twiddy
Publikováno v:
English Studies. 92:662-678
Recent elegiac criticism has commonly distinguished the ways in which male and female poets mourn their dead. In the work of Celeste M. Schenck and Melissa F. Zeiger, male elegy's purpose is to distance the dead in a determined Oedipal progression, a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::308b562462331b5b46ce2bb026409b8b
https://doi.org/10.1080/0013838x.2011.604918
https://doi.org/10.1080/0013838x.2011.604918
Autor:
Iain Twiddy
Publikováno v:
Irish Studies Review. 19:307-320
In his 1998 collection Hay, Paul Muldoon turns to Virgil for personal guidance through what he calls his ‘crise/d'un certain âge’, but also for help in negotiating problems of national significance. For Muldoon, Virgil is the poet of aftermath,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d53eeadadcd6d26c1f811a74173e6656
https://doi.org/10.1080/09670882.2011.592767
https://doi.org/10.1080/09670882.2011.592767
Autor:
Iain Twiddy
Publikováno v:
English. 58:243-263
Three collections Ted Hughes published between 1979 and 1983 demonstrate his intimate concern with different types of community. Hughes elegizes industrial communities in the Calder region in Remains of Elmet, and in the animal elegies of Moortown Di
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::835e26608f8347d33178cbfb74c7e366
https://doi.org/10.1093/english/efp025
https://doi.org/10.1093/english/efp025
Autor:
Iain Twiddy
Publikováno v:
English. 55:181-199
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2bdad64c84dfc83364a1868e1781cd93
https://doi.org/10.1093/english/55.212.181
https://doi.org/10.1093/english/55.212.181