Zobrazeno 1 - 10
of 64
pro vyhledávání: '"IVANA VESIĆ"'
Autor:
Atanasovski, Srđan
Publikováno v:
LIMESplus. (2):157-161
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=943225
Autor:
Paćuka, Lana
Publikováno v:
Muzikologija
Zbornik radova The tunes of Diplomatic Notes. Music Music and Diplomacy in Southeast Europe (18th–20th century) rezultat je predanog rada uredničkog tima kojeg potpisuju dr. Ivana Vesić, dr. Vesna Peno i dr. Boštjan Udovič.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=daisdigitala::f98d6df200490bee752a2b2cc806c530
https://hdl.handle.net/21.15107/rcub_dais_11666
https://hdl.handle.net/21.15107/rcub_dais_11666
Autor:
Ivana Vesić
Publikováno v:
Annales, Series Historia et Sociologia, Vol 34, Iss 2, Pp 133–144-133–144 (2024)
In this paper I will focus on Serbian international cultural policy in relation to Croatia in the first two decades of the 21st century. Aside from giving insight into general circumstances regarding the Serbian cultural sphere after October 2000, I
Externí odkaz:
https://doaj.org/article/2c2a7d762c8249e18bbe541b434ffde6
Autor:
Ivana Vesić
Publikováno v:
Лесковачки зборник, Vol 61, Pp 401-416 (2021)
У овом раду размотрене су активности Српске православне цркве током осамдесетих година протеклог столећа на оживљавању извесних догађ
Externí odkaz:
https://doaj.org/article/fd5a9ea5abd345069e701d5e4d7ee250
Autor:
IVANA VESIĆ, VESNA PENO
Publikováno v:
Истраживања, Iss 31 (2020)
In this paper we will consider how, from the beginning to the end of the 1980s, the Serbian Orthodox Church gradually abandoned its restricted mode of public action and moved from an enclave form, with occasional elements of counterpublics, to a domi
Externí odkaz:
https://doaj.org/article/dde985f6189348d0afbc1b8028acd840
Autor:
Vesna Peno, Ivana Vesić
Publikováno v:
Muzikološki Zbornik, Vol 54, Iss 1, Pp 49-58 (2018)
In this paper, we will focus on the historical reconstruction of Stevan Stojanović Mokranjac’s work in the field of melography and pedagogy of Serbian church chant. Since the prestigious status he reached among his contemporaries, as well as music
Externí odkaz:
https://doaj.org/article/713cc444007b40199205e62ee309a3eb
Autor:
Ivana Vesić
Publikováno v:
Urban Popular Culture and Entertainment ISBN: 9781003247401
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f970de69fc4386163b9379af13153439
https://doi.org/10.4324/9781003247401-10
https://doi.org/10.4324/9781003247401-10
Autor:
Ivana Vesić
Publikováno v:
Kultura. :155-173
This paper will examine in detail the discepancy between the phenomenon of decline of popularity of the choral amateurism that started in the mid-1950s and its rising prestige in the cultural diplomacy of the socialist Yugoslavia. Taking into conside
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4101db34085d1996b70407684cc93405
https://doi.org/10.5937/kultura2173155v
https://doi.org/10.5937/kultura2173155v
Publikováno v:
New Sound
In this paper we focused on the collaboration of the Jeunesses Musicales of Yugoslavia (JMY) with similar organisations of the Eastern Bloc countries. Besides pointing to the various activities that the JMY carried out from the early 1960s to the lat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::20005ffba5d527f907b017247b9116c9
https://doi.org/10.5937/newso2055070v
https://doi.org/10.5937/newso2055070v
Autor:
Ivana Vesić
Publikováno v:
Музикологија / Musicology
In this paper, I will focus on the reconstruction of the history of operetta companies established in interwar Belgrade. I gave priority to those ensembles that held regular performances for a longer period of time in the late 1920s and late 1930s. A
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::be30edfd9b5dc035678ab60dba60e9f3
https://hdl.handle.net/21.15107/rcub_dais_13768
https://hdl.handle.net/21.15107/rcub_dais_13768