Zobrazeno 1 - 10
of 161
pro vyhledávání: '"ICON - Musicology"'
Publikováno v:
Music and Letters, 103(2), 322. Oxford University Press
This article presents results from fieldwork with two groups of improvisers using different forms of notation in their creative practice. Such practices raise fundamental questions about the relation of notation to performance. Drawing on theories of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::45dbe78b37547464f6e122753d2364d2
https://doi.org/10.1093/ml/gcab109
https://doi.org/10.1093/ml/gcab109
Publikováno v:
Journal of Musicological Research, 41(1), 1
Journal of Musicological Research, 41(1), 1-22. Taylor and Francis Ltd.
Journal of Musicological Research, 41(1), 1-22. Taylor and Francis Ltd.
It is common in the academic reception of the legacy of Edward Said to limit the analysis of his theorization of a contrapuntal perspective on colonial history to the dominant theme of Said’s published writings. Nevertheless, alternative narratives
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::94dc6bbb1bb179014b18a7cb0994ced8
https://hdl.handle.net/11245.1/a36b142a-0854-413c-9703-e36189f1c5c9
https://hdl.handle.net/11245.1/a36b142a-0854-413c-9703-e36189f1c5c9
Publikováno v:
Diplomatica. A Journal of Diplomacy and Society
Diplomatica. A Journal of Diplomacy and Society, Brill, 2021, 3 (2), pp.235-243. ⟨10.1163/25891774-03020001⟩
Diplomatica: A Journal of Diplomacy and Society, 2021(3), 235. Brill
Diplomatica. A Journal of Diplomacy and Society, Brill, 2021, 3 (2), pp.235-243. ⟨10.1163/25891774-03020001⟩
Diplomatica: A Journal of Diplomacy and Society, 2021(3), 235. Brill
International audience; Diplomacy is sonorous: diplomats deliver speeches, manage silences, applaud, and laugh; they give toasts, clink glasses, and make noise. They listen to the tone of their interlocutors and modulate the timbre of their own voice
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::aefdf82ca67093d340ac01ee32ffb54c
https://doi.org/10.1163/25891774-03020001
https://doi.org/10.1163/25891774-03020001
Autor:
Schotanus, Yke, Bax, Sander, Lambrecht, Bram, Lammer, Christina, DeTaeye, Liselot, LS Muziek en media, ICON - Musicology
Publikováno v:
Het Kritisch Literatuur Lexicon van de 21e eeuw, 278. Open Press Tilburg University
STARTPAGE=278;TITLE=Het Kritisch Literatuur Lexicon van de 21e eeuw
STARTPAGE=278;TITLE=Het Kritisch Literatuur Lexicon van de 21e eeuw
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=narcis______::d8e17e9d14807fd3989d37c42ca8aa23
https://dspace.library.uu.nl/handle/1874/425961
https://dspace.library.uu.nl/handle/1874/425961
Publikováno v:
Empirical Musicology Review, Vol 15, Iss 1-2, Pp 145-150 (2020)
Empirical Musicology Review, 15(1-2), 145
Empirical Musicology Review, 15(1-2), 145
In the article "Emotion Painting: Lyric, affect, and musical relationships in a large lead-sheet corpus", Sun and Cuthbert (2017) explored the correlations between affect-carrying lyrics and musical features such as beat strength, pitch height, conso
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::81691d704477f03c11c034bc8f605515
https://emusicology.org/article/view/7676
https://emusicology.org/article/view/7676
Publikováno v:
Media and Communication
New Forms of Media Work and Its Organizational and Institutional Conditions
Media and Communication, 10(1), 110. SAGE Publications Inc.
Media and Communication, Vol 10, Iss 1, Pp 110-119 (2022)
New Forms of Media Work and Its Organizational and Institutional Conditions
Media and Communication, 10(1), 110. SAGE Publications Inc.
Media and Communication, Vol 10, Iss 1, Pp 110-119 (2022)
This article outlines a first attempt at analysing counter-media publishing through the lens of remix theory. We concentrate on two key concepts—appropriation and authorship—which have a permanent standing in the remix research literature. To sup
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3d1b7d4850fe95fdd7de8b5aec37bde5
https://www.ssoar.info/ssoar/handle/document/78298
https://www.ssoar.info/ssoar/handle/document/78298
Publikováno v:
Popular Music and Society, 45(1), 1. Taylor and Francis Ltd.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e2e1a445a53ad8463f66bb4d11f08239
https://dspace.library.uu.nl/handle/1874/422739
https://dspace.library.uu.nl/handle/1874/422739
Publikováno v:
Eighteenth-Century Music, 19(2), 214
A review that indicates directions for future research on colonial music in Ireland.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=narcis______::1a4f895f58f771d656138989686e237b
https://dspace.library.uu.nl/handle/1874/422458
https://dspace.library.uu.nl/handle/1874/422458
Publikováno v:
French History, 36(2), 260. Oxford University Press
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=narcis______::280b43d5323c3df965dad6de72c1a84b
https://dspace.library.uu.nl/handle/1874/425929
https://dspace.library.uu.nl/handle/1874/425929
Mobilizing Historicity and Local Color in _Fernand Cortez_ (1809): Narratives of Empire at the Opéra
Publikováno v:
French Historical Studies, 45(2), 245. Duke University Press
This article interrogates why the creators of Napoleonic opera, specifically of Gaspare Spontini’s Fernand Cortez (1809), were so eager to publicize their source-based method for representing history. The article frames this eagerness in broader de
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=narcis______::b8885091ca1a77dbffaee607cc28088f
https://dspace.library.uu.nl/handle/1874/425928
https://dspace.library.uu.nl/handle/1874/425928