Zobrazeno 1 - 10
of 100
pro vyhledávání: '"I. Marsden"'
Autor:
Jean I. Marsden
Theatre and theatregoing was central to the cultural life of later eighteenth-century Britain. In this engaging work, Jean I. Marsden explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Usi
Autor:
Jean I. Marsden
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewritin
Autor:
Jean I. Marsden
Publikováno v:
Etudes Epistémè, Vol 42 (2022)
This article explores the impact of women on the theatrical repertoire of the later seventeenth century in England. Female theatregoers at this time were largely anonymous, defined by their venue rather than by their names, however comments by playwr
Externí odkaz:
https://doaj.org/article/59167e7b616d4e29a61c98d6ac7ecd49
Autor:
Jean I. Marsden
Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century—a period when for the first time female actors could perform in p
Autor:
Jean I. Marsden
Publikováno v:
A Cultural History of Comedy in the Age of Enlightenment. :49-68
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::086719adbf1557f34bf46b809663d7af
https://doi.org/10.5040/9781350187733.ch-002
https://doi.org/10.5040/9781350187733.ch-002
Autor:
Jean I. Marsden
Publikováno v:
Restoration: Studies in English Literary Culture, 1660-1700. 41:89-93
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b326f0aa041b02a0a11aaa2560fb9ca3
https://doi.org/10.1353/rst.2017.0025
https://doi.org/10.1353/rst.2017.0025
Autor:
Jean I. Marsden
Publikováno v:
The Eighteenth Century. 58:297-307
This article explores the relationship between theater and emotion, considering the problematic paradigm of theater as the most emotional of literary forms. It cannot exist without the actor who performs and the playgoer who responds and in this sens
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8144b3fac7d9f181e7f0de77667756d0
https://doi.org/10.1353/ecy.2017.0026
https://doi.org/10.1353/ecy.2017.0026
Autor:
Jean I. Marsden
Publikováno v:
The Cambridge Guide to the Worlds of Shakespeare
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2f131a26db56a985a8c198e667bb7b81
https://doi.org/10.1017/9781316137062.174
https://doi.org/10.1017/9781316137062.174
Autor:
Jean I. Marsden
Publikováno v:
The Review of English Studies. 69:171-173
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8b4d60284ddffe303b8592a16d2acecf
https://doi.org/10.1093/res/hgx078
https://doi.org/10.1093/res/hgx078
Autor:
Jean I. Marsden
Publikováno v:
Restoration and Eighteenth-Century Theatre Research. 32:89-91
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::beb07c9fa66d738563e2e7daaca6f4b1
https://doi.org/10.5325/rectr.32.2.0089
https://doi.org/10.5325/rectr.32.2.0089