Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Hye Jean Chung"'
Autor:
Hye Jean Chung
Publikováno v:
Contemporaneity: Historical Presence in Visual Culture, Vol 1, Iss 0, Pp 105-116 (2011)
Michel Chion’s concept of the “acousmêtre” is useful when exploring the spectator’s cinematic experience in regard to the juxtaposition of sound and image, as the acousmatic presence troubles the false sense of unity that is created by the s
Externí odkaz:
https://doaj.org/article/cb194135e1af46fab0c0dc0d8c9d5016
Autor:
Hye Jean Chung
Publikováno v:
The Journal of Literature and Film. 23:463-485
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fa0d4d7fba7f2d5ce7114f75d7b74b7e
https://doi.org/10.36114/jlf.2022.12.23.3.463
https://doi.org/10.36114/jlf.2022.12.23.3.463
Autor:
Hye Jean Chung
Publikováno v:
Journal of Popular Film and Television. 47:30-38
This essay analyzes Korean films, Traffickers (Gongmojadeul, Hong-seon Kim, 2012), Sea Fog (Haemoo, Sungbo Shim, 2014), and The Yellow Sea (Hwanghae, Na Hong-jin, 2010), to examine the motif of fra...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2ee843ec10d2cff4d936737ab87d72bb
https://doi.org/10.1080/01956051.2019.1565758
https://doi.org/10.1080/01956051.2019.1565758
Autor:
Hye Jean Chung
Publikováno v:
CLCWeb: Comparative Literature and Culture
This article examines how contemporary media art and popular culture, vernacular cultural practices, and digital technologies express and actualize aspirations for global mobility. This task is propelled by the need to question the limited scope of h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e504e0d49703ca7d6af1d1eede5efd9b
https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3664&context=clcweb
https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3664&context=clcweb
Autor:
Hye Jean Chung
In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and oth
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::106a50c331e023f8c2bd72556717d465
https://doi.org/10.1215/9780822372158
https://doi.org/10.1215/9780822372158
Autor:
Hye Jean Chung
In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and oth
Autor:
Hye Jean Chung
Publikováno v:
Visual Studies. 30:54-67
Media have complicated relationships with death. Often when a new medium emerges and develops, it is imagined as a channel of contacting, capturing, or otherwise mediating invisible presences. Thematic and visual tropes of ghosts, phantoms, mummies,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::86e640d049b273e35cfeef70864f6eea
https://doi.org/10.1080/1472586x.2015.996397
https://doi.org/10.1080/1472586x.2015.996397
Autor:
Hye Jean Chung
Publikováno v:
The Velvet Light Trap. 69:27-37
The point is right away to go beyond, in one fell swoop, the first glance and thus to see there where this glance is blind, to open one’s eyes wide there where one does not see what one sees. One must see, at first sight, what does not let itself b
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::35efe641b1f765e8e8f14371a2795794
https://doi.org/10.1353/vlt.2012.0011
https://doi.org/10.1353/vlt.2012.0011
Autor:
Hye Jean Chung
Publikováno v:
Spectator: The University of Southern California Journal of Film & Television; Spring2011, Vol. 31 Issue 1, p10-16, 7p