Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Hsiu-Chuang Deppman"'
Autor:
Hsiu-Chuang Deppman
Publikováno v:
Journal of Chinese Film Studies. 1:19-47
One of the most prominent sixth-generation filmmakers, Jia Zhangke tells compelling stories about China’s floating population. He documents the quotidian activities of marginal people with long shots and long takes, showing their love, despair, and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4fa778ac1213357fdcf4645119ac5f8e
https://doi.org/10.1515/jcfs-2021-0008
https://doi.org/10.1515/jcfs-2021-0008
Autor:
Hsiu-Chuang Deppman
Two of the most stylized shots in cinema—the close-up and the long shot—embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in co
Autor:
Hsiu-Chuang Deppman
Publikováno v:
Journal of Chinese Cinemas. 8:188-208
Jia Zhangke's 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees to create a blended genre that illustrates changing economic fortunes in the 21st century. Through the medium of a new, hybrid fil
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8db96ee51b67505e9a0d2666acdc51ac
https://doi.org/10.1080/17508061.2014.949156
https://doi.org/10.1080/17508061.2014.949156
Autor:
Hsiu-Chuang Deppman, Kirk A. Denton
Publikováno v:
The Columbia Companion to Modern Chinese Literature
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::971f6276ab9992ceda9ff29820835ac4
https://doi.org/10.7312/dent17008-009
https://doi.org/10.7312/dent17008-009
Autor:
Hsiu-Chuang Deppman
Publikováno v:
positions: asia critique. 17:435-454
This essay is a study of Chen Guofu and Cai Mingliang, two prominent Taiwan directors whose work in the 1980s helped shape the Second New Wave movement. More recently, Chen's 1998 The Personals and Cai's 2002 What Time Is It There? broke new ground b
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e6b3056b28ae7112667ff52eaa2a1d54
https://doi.org/10.1215/10679847-2009-009
https://doi.org/10.1215/10679847-2009-009
Autor:
Hsiu-Chuang Deppman
Publikováno v:
Journal of Narrative Theory. 31:31-64
����� Looking-glasses are the most dangerous and intractable objects in Virginia Woolf 's stories about a room of one's own. They have remained a constant and integral part of the domestic landscape, and their very persistence reflects the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ffca245857b1c33735d7d7b500193bd7
https://doi.org/10.1353/jnt.2011.0061
https://doi.org/10.1353/jnt.2011.0061