Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Horacio Vaggione"'
Autor:
Horacio Vaggione, Trevor Wishart, Erik Mikael Karlsson, Manuella Blackburn, Folkmar Hein, Åke Parmerud, Shintaro Imai
Publikováno v:
Computer Music Journal. 42:96-102
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fcdce497d714d9fddf5c3c765404d01b
https://doi.org/10.1162/comj_e_00492
https://doi.org/10.1162/comj_e_00492
Autor:
Horacio Vaggione
Publikováno v:
Timbre Composition in Electroacoustic Music ISBN: 9781315077376
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c2b34657a64997422e9f4640e1e30060
https://doi.org/10.4324/9781315077376-7
https://doi.org/10.4324/9781315077376-7
Autor:
Horacio Vaggione
Publikováno v:
Contemporary Music Review. 24:339-349
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6081c449a6486367caf093fd560cb2bb
https://doi.org/10.1080/07494460500172212
https://doi.org/10.1080/07494460500172212
Autor:
Horacio Vaggione
Publikováno v:
Computer Music Journal. 25:54-61
However, the role of algorithms (finite computable functions, in Turing's sense) is not to be simply reified in a composition. Composers use computers not only as "numbercrunching" devices, but also as interactive partners to perform operations where
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::51202bd5b157ce1dfc03606e5fd5e74c
https://doi.org/10.1162/014892601300126115
https://doi.org/10.1162/014892601300126115
Autor:
Horacio Vaggione
Publikováno v:
Chimères. 40:1-11
Vaggione Horacio. Perspectives de l’électroacoustique. In: Chimères. Revue des schizoanalyses, N°40, automne 2000. Le bruit du temps. pp. 1-11.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ea3627a93b7aad8ecebffddbfdf914f6
https://doi.org/10.3406/chime.2000.1195
https://doi.org/10.3406/chime.2000.1195
Autor:
Antonia Soulez, Horacio Vaggione
Publikováno v:
Contemporary Music Review. 24:335-337
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::844e84d7a209e02fa5ad94982dc072d7
https://doi.org/10.1080/07494460500172196
https://doi.org/10.1080/07494460500172196
Autor:
Horacio Vaggione
Publikováno v:
Contemporary Music Review. 7:91-104
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::95b721fe8d6db2c01668d4cf6eb8bc42
https://doi.org/10.1080/07494469300640061
https://doi.org/10.1080/07494469300640061
Autor:
Horacio Vaggione
Publikováno v:
Interface. 20:209-216
An exploration of the notion of object‐oriented programming in its relevance for compositional thought, especially thought regarding programmed sound synthesis. The author is particularly interested in using notions of object‐oriented programming
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::24205101f81ba33aa7efdb44cf53fd3d
https://doi.org/10.1080/09298219108570591
https://doi.org/10.1080/09298219108570591
Autor:
Horacio Vaggione
Publikováno v:
Intellectica-La revue de l’Association pour la Recherche sur les sciences de la Cognition (ARCo)
Intellectica-La revue de l’Association pour la Recherche sur les sciences de la Cognition (ARCo), Association pour la Recherche sur la Cognition, 2008, pp.00-00
Intellectica-La revue de l’Association pour la Recherche sur les sciences de la Cognition (ARCo), Association pour la Recherche sur la Cognition, 2008, pp.00-00
Music Composition : Representations, Granularities, Emergences. This text approaches the subject of musical representations, specially within the field of computer-aided composition. To situate the subject on a broader perspective, we recall the main
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3a2b328d067277f74fcd4aab3f3dc828
https://hal-univ-paris8.archives-ouvertes.fr/hal-01009562
https://hal-univ-paris8.archives-ouvertes.fr/hal-01009562
Autor:
Horacio Vaggione
Publikováno v:
Computer Music Journal. 20:33
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::276b1a41afc6bd9f2976598d53ad37d5
https://doi.org/10.2307/3681329
https://doi.org/10.2307/3681329