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Autor:
Hodgson, James Neil
The representation of homosexuality in the Brazilian cinema of the 1960s and 1970s is generally dismissed as homophobic on the grounds that it confirms stereotypical and oppressive views of homosexual men. While it is true that many films produced du
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607128
Autor:
Hodgson, James Neil
Publikováno v:
Via Atlântica; v. 1 n. 33 (2018): Queerizar o cânone luso-afro-brasileiro; 207-224
Via Atlântica; Vol. 1 No. 33 (2018): Dossier 33-Queering the luso-african-brazilian canon; 207-224
Via Atlântica
Universidade de São Paulo (USP)
instacron:USP
Via Atlântica; Vol. 1 No. 33 (2018): Dossier 33-Queering the luso-african-brazilian canon; 207-224
Via Atlântica
Universidade de São Paulo (USP)
instacron:USP
This article will examine queer themes in one of the earliest examples of Cinema Novo, Ruy Guerra’s Os cafajestes. Through a close reading of the film, this article traces queer themes in both the plot and in the film’s broader political message.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3056::a76c758ec36c79eaf5ab587c784baab9
https://www.revistas.usp.br/viaatlantica/article/view/140583
https://www.revistas.usp.br/viaatlantica/article/view/140583