Zobrazeno 1 - 6
of 6
pro vyhledávání: '"History of Actors"'
Autor:
Teresa Megale
Publikováno v:
Drammaturgia, Vol 12, Iss 2, Pp 151-167 (2016)
This essay offers the reading of several Eleonora Duse’s unpublished works, written during a period of time between 1883 and 1921. In these writings a variously assorted network of correspondents (playwrighters, journalists, actors and antiquarians
Externí odkaz:
https://doaj.org/article/620dfb7944074e1eb69eb1996600d716
Autor:
Anna Scannapieco
Publikováno v:
Drammaturgia, Vol 14, Iss 4 (2018)
This extensive essay revolves around some unpublished documents about the ambitious and pioneering attempt to establish a permanent company in the ‘enlightened’ duchy of Parma (1770-1771). What emerges is an original cross-section of the Italian
Externí odkaz:
https://doaj.org/article/d68322b9b5914974b7cf2964a52b4e37
Publikováno v:
Urdimento; Vol. 2 Núm. 41 (2021): O Teatro Popular Musical e suas multiplicidades | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto; 1-24
Urdimento-Revista de Estudos em Artes Cênicas; v. 2 n. 41 (2021): O Teatro Popular Musical e suas multiplicidades | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto; 1-24
Urdimento-Revista de Estudos em Artes Cênicas; Vol. 2 No. 41 (2021): O Teatro Popular Musical e suas multiplicidades | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto; 1-24
Urdimento
Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
Urdimento-Revista de Estudos em Artes Cênicas; v. 2 n. 41 (2021): O Teatro Popular Musical e suas multiplicidades | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto; 1-24
Urdimento-Revista de Estudos em Artes Cênicas; Vol. 2 No. 41 (2021): O Teatro Popular Musical e suas multiplicidades | Pedagogia das Artes Cênicas em tempos pandêmicos: Criações online e ensino emergencial remoto; 1-24
Urdimento
Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
The Teatro Caipira occurred during the 1960s and 1970s in the states of Paraná and São Paulo, and is far from being contemplated, with due importance, in the history of Brazilian theatre. The present article strives to fill the gap of a historiogra
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3056::acd456146474192faa10296d3769f5f5
https://www.revistas.udesc.br/index.php/urdimento/article/view/20501
https://www.revistas.udesc.br/index.php/urdimento/article/view/20501
Akademický článek
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Autor:
Anna Scannapieco
Publikováno v:
Drammaturgia, Vol 14, Iss 4 (2018)
This extensive essay revolves around some unpublished documents about the ambitious and pioneering attempt to establish a permanent company in the ‘enlightened’ duchy of Parma (1770-1771). What emerges is an original cross-section of the Italian
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::02f156bf4575bda040460f5dad9cafd2
http://hdl.handle.net/11577/3225631
http://hdl.handle.net/11577/3225631
Autor:
Megale, Teresa
Publikováno v:
Drammaturgia, Vol 12, Iss 2 (2016)
Drammaturgia, Vol 12, Iss 2, Pp 151-167 (2016)
Drammaturgia, Vol 12, Iss 2, Pp 151-167 (2016)
This essay offers the reading of several Eleonora Duse’s unpublished works, written during a period of time between 1883 and 1921. In these writings a variously assorted network of correspondents (playwrighters, journalists, actors and antiquarians
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4d4f95617bfac01254352403d07446c2
https://oajournals.fupress.net/index.php/drammaturgia/article/view/8184
https://oajournals.fupress.net/index.php/drammaturgia/article/view/8184