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Autor:
Hill, Elyan Jeanine1 ejhill@smu.edu
Publikováno v:
Material Religion. Jul-Sep2024, Vol. 20 Issue 3/4, p318-320. 3p.
Autor:
Hill, Elyan Jeanine
Publikováno v:
Hill, Elyan Jeanine. (2018). Spirited Choreographies: Ritual, Identity, and History-Making in Ewe Performance. UCLA: Culture & Performance Studies 0378. Retrieved from: http://www.escholarship.org/uc/item/5p68k9mj
Spirited Choreographies: Ritual, Identity, and History-Making in Ewe Performance traces ritual performances and festival events presented by communities of Ewe people residing in coastal regions of Ghana and Togo. While ethnomusicologists have extens
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______325::11378928fbae43fa5e33195443e1428e
http://www.escholarship.org/uc/item/5p68k9mj
http://www.escholarship.org/uc/item/5p68k9mj
Autor:
Hill, Elyan Jeanine
Publikováno v:
Hill, Elyan Jeanine. (2013). BODYSCRIPTS: Mami Wata, Diaspora, and Circum-Atlantic Performance. UCLA: Culture & Performance Studies 0378. Retrieved from: http://www.escholarship.org/uc/item/4fd1f2b1
By examining the uses to which the pan-African water goddess Mami Wata is put in Eve Sandler's art installation entitled "Mami Wata Crossing" (2008), Kimberly Mullen's dance Yemanja, Mother of the Deep (2012), and Chris Abani's novel GraceLand (2004)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______325::c5e79d70c6d757afd904df8f837e0fb4
http://n2t.net/ark:/13030/m5sb5knd
http://n2t.net/ark:/13030/m5sb5knd